Mutts: Separation Anxiety

Mutts, Now That's Class, Cleveland, Ohio

 

Your teeth are diamond studded
You’re always smilin’ at me
When I ain’t got any teeth

 

 

Happy Voting Day, friends! This lyric from the Mutts song “Washington (Still) Owns People”, from their album Separation Anxiety, seemed like an appropriate way to start this Election Day post.

I’ve been putting this post off for a while because I’ve had a difficult time getting a handle on exactly how to talk about their music. I was intrigued by the album from the start – it’s hard not to be when an album starts with a rhythmic, imaginative gem like “So Many, So Many” that makes you want to find a bucket and a wooden spoon so you can beat along.

 

 

But then they bring in the amped instruments, and things get complicated. Elements of rock, hardcore, progressive, thrash, funk, blues all throw in together for a meaty stew in songs that lyrically explore subjects from politics to religion to maintaining a romantic relationship as a touring musician.

 

 

It’s a compelling mess (and I mean that in the best way) Mutts are making here, never falling into cookie cutter parameters or imitation. Many of the elements used are familiar, but the direction these elements are taken is not, and that keeps your attention, wondering where Mutts will go next.

My favorite song on the album is the title/closing track that leads in like a raise-the-rafters gospel stomper, but then devolves into a drunken, shambling barroom sing-a-long.

 

 

The digital version of Separation Anxiety is available on a name-your-price basis, and CD and vinyl version are available for just a little scratch, including the beautiful “Mending Wall” LP.

Now here’s the part that really excites me: Separation Anxiety was funded in a Kickstarter campaign as part of a double-album deal. The second album, Object Permanence, will be an acoustic album and a sampler listen shows the album running in a vein similar to “So Many, So Many” and “Separation Anxiety”, so keep your ear to the ground for that one.

 

Mutts Official Website

Mutts @ Twitter

Mutts @ Facebook

Fistful of Beard: Until We Know Better

Fistful of Beard

 

Often when you hear a band who sits at the, some would say unlikely, crossroads of country and punk, it seems the punk tag is only given a passing nod, more evident in band members’ tattoos than in the music. Fistful of Beard, who hail from the northern Alabama town of Decatur, attack it from the opposite direction. On FoB’s new album, Until We Know Better, the guitars crash more than they jangle – though the music always speaks with an Alabaman accent, an accent of good ol’ boys who are actually good, of people just trying to do the best they can.

 

 

And for those who like a tender moment, songs like “The Rain” offer real poignancy.

 

 

You can get Until We Know Better on Bandcamp, either digitally or in a limited-run CD with a hand-screened cover of that wonderful sleeve art.

 

Fistful of Beard @ Bandcamp

Fistful of Beard @ Twitter

Fistful of Beard @ Facebook

 

Photos from the Austin City Limits Festival

 

Originally shot for Speakers in Code, our friend Nate Burrell has allowed us to share some of his photos from this year’s Austin City Limits Festival. The shots are so gorgeous, I’m not even going to begrudge him the fact that he didn’t shoot the Afghan Whigs. who played yet another stellar set at the fest.

(Click photos to view larger versions.)

 

by Nate Burrell for Speakers in Code

Gary Clark, Jr.

by Nate Burrell for Speakers in Code

The Black Keys

by Nate Burrell for Speakers in Code

The Avett Brothers

by Nate Burrell for Speakers in Code

Big K.R.I.T.

by Nate Burrell for Speakers in Code

Big K.R.I.T.

by Nate Burrell for Speakers in Code

Iggy Pop

by Nate Burrell for Speakers in Code

Iggy Pop

by Nate Burrell for Speakers in Code

Alabama Shakes

by Nate Burrell for Speakers in Code

Esperanza Spalding

by Nate Burrell for Speakers in Code

Esperanza Spalding

by Nate Burrell for Speakers in Code

Neil Young & Crazy Horse

by Nate Burrell for Speakers in Code

Neil Young & Crazy Horse

by Nate Burrell for Speakers in Code

Die Antwoord

by Nate Burrell for Speakers in Code

The Roots

by Nate Burrell for Speakers in Code

Trampled by Turtles

by Nate Burrell for Speakers in Code

Trampled by Turtles

by Nate Burrell for Speakers in Code

The Red Hot Chili Peppers

by Nate Burrell for Speakers in Code

Zola Jesus

by Nate Burrell for Speakers in Code

Antibalas

by Nate Burrell for Speakers in Code

Lee Fields & the Expressions

 

For even more great ACL Fest photos, visit Nate’s site.

 

Mudlow: Sawyer’s Hope

photo credit: Nhung Dang

 

This past spring, I was honored to be asked to edit the liner notes Rick Saunders was writing for the new Mudlow album, Sawyer’s Hope, and there couldn’t be a more evocative description of not only the music, but also the feel of the album than Rick’s words.

 

 

The music of Mudlow has been referred to as “noir blues”, and like any good noir story, their songs are packed with colorful characters. And like any good blues, their songs are packed with emotions that can scrape out the bottom of your soul, an effect achieved sometimes with the most simple but telling phrase and sometimes with the sound that spreads between the moment the blade pierces your heart and the moment you begin to feel the sting.

 

 

This album is one of the most gorgeous I’ve heard in a long while, and I was pleased to get a few words with band members, and damn fine people, Matt (drums) and Tobias (vocals, guitar) about the band and their new album.

 


 

Let’s give the readers some background: where are you all from and how did you get together?

(Matt) Me and Tobias have known each other for years and have played in bands together for most of that time, when our previous band ‘Crawl Limbo’ folded Tobias moved to Brighton and decided to start a new band. We had always played on the gig circuit in Brighton so knew most of the other local band members and had become friends with quite a few of them so finding a new line-up actually wasn’t too difficult, Trimble was there from the start with another Sax player Jules, our first bassist could only play ska because of his unusually fat fingers so we had to let him go. We asked Paul to join and Mudlow was born. We’re definitely a ‘Brighton‘ band and we all live in the city or surrounding area.

 

Based on the 8-year span between full-length albums, I’d guess the band isn’t what keeps food on the table. What are your daytime alter egos (day jobs)?

(M) Me and Tobias work for a friend in the heating trade. Paul works as a sound recording engineer/producer at Church Road Studios in Brighton (which is where the Mudlow magic happens!). Not sure what Trimble does, I think he’s either a pirate or a spy, depending on what he’s wearing.

 

Where does the title Sawyer’s Hope come from?

(Tobias) It’s a partly-imagined place that crops up as a lyric in a couple of our songs. I use maps and place names for inspiration and this came from combining the name of a farm and a wood. To me ‘Sawyer’s Hope’ sounds like an old man’s lifelong aspirations, did he achieve or fail? or is it just a name on a map?

 

 

I know you were shopping around for a label to release this album for a while. What was that process like? How did the deal come together with Motor Sounds Records?

(M) It wasn’t really a ‘process’ as such. We had in mind quite a few labels that we liked so we sent them copies/press etc but didn’t hear much back. We’d pretty successfully self-released our first record but we really wanted to work with someone else on this one and kinda have a labels name on which to hang our hat. We know the guys at Motor Sounds so we approached them to see if they would assist with putting this one out. Thankfully they were really keen to be involved so that was that. I guess you could say it’s a self-release but via an independent label.

 

Your songs are so cinematic and contain so many interesting stories. How do you approach songwriting? Any thoughts about writing a novel?

(T) The songs approach me. You can’t write anything until it’s ready to be written. Sitting and trying to force ideas doesn’t work. A train of thought might be triggered by one line that pops in to your head and then once it gets going let it flow and write down everything, then scrub out the crap and join the dots. The lyrics are mine but we work on the music as a band, we don’t have a formula for creating the songs and we approach each song differently so each has it’s own individuality.

I think about writing a book a lot but who has the time to do that?!

 

What’s next for the band? Any chance of an American tour in the foreseeable future?

(M) We will be playing some shows in support of the new record and will most likely tour here and in Europe. We have already ear-marked band funds for a return trip to the States so we’ll have to see how well Sawyer’s Hope sells. We definitely want to come back.

 

And because I get some of my best music recommendations from musicians, what have you been listening to lately?

(T) I like that Bruce Peninsula band, they’re like a choir trying to upset God.
(M) I vote for The Bonnevilles.
(T) Wait… I want to choose the Bonnevilles
(M) Well, you can’t. I did.
(T) Right! I’m leaving the band. [stomps out]

 


 

In addition to Sawyer’s Hope, Mudlow is generously offering an EP of bits and bobs called The Last Rung Down to Hell, which you can listen to and download right here.

 

Mudlow Official Website

Mudlow @ Bandcamp

Mudlow @ Google+

Mudlow @ Facebook

A Good Read, a Good Listen, and a Good Drink: Firewater

 

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Now, we again take up the story of Firewater. When we left our hero (or is that anti-hero?) Tod A, we feared his rock ‘n’ roll boat might have capsized in the international seas of music. But, wait! We have a transmission from Istanbul! It’s a coded message, saying, “International Orange!”

Okay, enough purple prose. Here’s the deal: Firewater has a new album out called International Orange!. Recorded and mixed in Istanbul, Turkey, (where Tod A now lives) and Tel Aviv, Israel, during the Arab Spring of 2011, International Orange! brings back together the team of Tod A and Balkan Beat Box’s Tamir Muskat, who birthed Firewater’s last powerfully rocking album, The Golden Hour. Though still backed by Tod A’s acerbity, the album is punctuated by the passionate optimism of revolution and full-to-brimming with international rhythms. International Orange! tours Turkey, Greece, Pakistan, Cuba, Jamaica, Greece, picking up trinkets of each country’s sound as it goes, melds them with the American and British fire of punk and rock, and sets it all down in a package that will have you clearing space for pogoing.

 

“A Little Revolution” – Firewater (download from link or listen below)

 

Now it is my giddy honor to hand the reins over to Tod A for another installment of inspiring recommendations.


 

The following can be enjoyed simultaneously, ideally underneath a palm tree on a tropical island.

Good Read:
The Rum Diary by Hunter S. Thompson
Forget the Johnny Depp film debacle: he completely missed the point. This book holds some of HST’s best barbs about human nature. A choice quote: “Like most of the others, I was a seeker, a mover, a malcontent, and at times a stupid hell-raiser. I was never idle long enough to do much thinking, but I felt somehow that my instincts were right. I shared a vagrant optimism that some of us were making real progress, that we had taken an honest road, and that the best of us would inevitably make it over the top. At the same time, I shared a dark suspicion that the life we were leading was a lost cause, that we were all actors, kidding ourselves along on a senseless odyssey. It was the tension between these two poles — a restless idealism on one hand and a sense of impending doom on the other-that kept me going.”

 

Good Listen:
Essential Ska Masters by The Skatalites
If you’ve never heard this amazing early sixties instrumental ska band, this record is a great place to start. Everything you probably love about jazz, with minimum wank, and plenty of skanky groove to get your hips shaking. Every cut is a winner.

 

“Confucius” – The Skatalites

 

Good Drink:
Arak Madu
Fill a tall glass with ice and one teaspoon of honey. Pour in three fingers of Indonesian arak, then top up the glass with fresh orange juice. Stir. Drink and repeat.

Make sure to check out Firewater on the road for a show that is told to be un-fucking-missable.
 

Firewater @ Bloodshot Records

Firewater @ Facebook

Firewater Geocache Challenge

A Good Read, a Good Listen, and a Good Drink: Shivering Timbers

Shivering Timbers by Nate Burrell

photo credit: Nate Burrell

 

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


 

Life in the Shivering Timbers’ household, i.e. the home of Sarah and Jayson Benn in Akron, Ohio, doesn’t leave much time for leisurely drink while flipping through pages and listening to the hi-fi. On top of raising their four-year-old girl and the handful of jobs that Jayson works, the band just released their second, beautiful album, Sing Sing. But, fortunately for us, they did find a moment to share a few favorites for when they do have time to sit still for a while.

 

“Wayfaring Stranger/Evening Prayer” – Shivering Timbers

 

Sarah says: Free time is scarce, so a 78 is perfect for a moment of escapism, and I relish Ernie Andrews “Dream Awhile/Green Gin” (GEM records 1945). Add a tall glass of iced sweet tea, and the latest copy of Garden Design magazine, and I’m blissful for 10 minutes. On the road I have time to read, and it’s almost always some sort of world history (or music history) book, right now I’m reading A People’s History of the United States [by Howard Zinn], which I think everyone should read.

 

“Green Gin” – Ernie Andrews

 

Jayson says: On the rare occasion when I’m able to disappear for a while, I can usually be found lying on the floor in my living room, directly in front of the stereo. Lately I’ve been listening to the country gentlemen of guitar: Chet Atkins, Merle Travis, and Duane Eddy, to name a few. There is something about these old timers that has been lost on a lot of modern guitar players; they had grit, class, and knew how to make their instruments sing. My drink of choice is typically a glass of good bourbon (neat).

On the other hand, if the girls are out of town visiting family, I’ll grab a six pack of High Life and blow the speakers out with some Motorhead or Iron Maiden.

Reading while listening to music usually doesn’t go hand in hand for me. I do, however, have a couple of books going at the moment: Tom Waits – In the Studio by Jake Brown, and Speaker for the Dead, the follow-up to Orson Scott Card’s great sci-fi novel, Ender’s Game.

 

“Cannonball Rag” – Merle Travis

 

Shivering Timbers Official Website

Shivering Timbers @ Facebook

 

A Good Read, a Good Listen, and a Good Drink: Blackwater Jukebox

 

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


 

We hold a special place in our hearts for Blackwater Jukebox around here. Partially because, while my co-blogger Jennifer and I are often at odds in our musical tastes, we are both enthusiastic about the synthesis of old and new, dance and hip hop churned up with folk and blues, produced by Blackwater Jukebox.

Check out an acoustic version of “Eastside Girls” recorded for this year’s CXCW:

 

“Eastside Girls” – Blackwater Jukebox feat. Sadie & the Blue Eyed Devils

 

Another reason we love Blackwater Jukebox is because mastermind Geordie McElroy is such a nice and interesting fellow. So, we’re pleased to have Geordie share a few fantastic recommendations with us.

 

“Mr. Vain” – Blackwater Jukebox feat. Sadie & the Blue Eyed Devils

 

Good Read:
A Confederacy of Dunces by John Kennedy Toole
John Kennedy Toole’s absurd tragicomedy about Ignatius J. Reilly: an obese, over-educated, and egomaniacal mama’s boy, forced to balance minimum wage drudgery with the calorie-intensive labors of penning an indictment of the 20th century. This book is for struggling artists, coffee shop philosophers, and anyone who has lashed out at dregs of pop culture. The “Crusade for Moorish Dignity” and The Sodomite Party political convention are high points among Ignatius’ rambling mis-adventures through 1960s New Orleans.

Good Listen:
Zulu Jive: Umbaqanga – various artists
A UK import from the early 80s featuring a handful of tracks from apartheid-era South Africa. This may be the most jubilant and effervescent music – ever. Frankly, it would be shocking if Paul Simon hadn’t pumped this prior to making Graceland. If you dig up-tempo, syncopated grooves with shimmering guitar, buoyant bass, and accordion – this album is for you. Good time music.

 

 

Good Drink:
Michelada
Mexican Bloody Mary made with beer, Clamato, and a fistful of flavor. Bursting with b-vitamins (and alcohol), the bright red concoction might be the ultimate hang-over cure, hunger neutralizer, and/or thirst quencher. Extra tasty with a salt and season rim. If you’re ever in LA, try Mario’s at the Silverlake Lounge. Liquid dynamite.

 

Blackwater Jukebox are planning a Dia de los Meurtos (November 1) release and west coasters can check out their upcoming gigs.

September 10 – Los Globos – Los Angeles, CA
October 1 – The Redwood Bar & Grill – Los Angeles, CA
November 8 – Sam Bond’s Garage – Eugene, OR

 

Blackwater Jukebox @ Bandcamp

Blackwater Jukebox @ Facebook

Firewater: The Story So Far…

 

Let me get this out of the way first: Cop Shoot Cop was a fucking rad band. When I was introduced to their music, via their album Ask Questions Later, I had the experience that music lovers rummage through record shops, plunder blogs, and scan magazines seeking to replicate again and again: I found a band who was making exactly the kind of music I wanted to hear. Dual basses, steel wool vocals, no guitar, and a lot of anger: it was heavenly.

The hard truth of the matter, though, was that CSC had ended before I discovered them. In fact, lead man Tod A was already two albums deep in Firewater… though I wouldn’t learn about Firewater for a few more years when I was stopped in my tracks by “This Is My Life”.

 

“This Is My Life” – Firewater

 

Tod A was once again giving me exactly what I wanted, and it’s impossible to sit still during this song, which came from the sixth Firewater album (and first one released on the Bloodshot label) The Golden Hour. If you, too, missed the beginning of the Firewater train, Bloodshot has given you a hand up by reissuing four of the first five Firewater albums: Get Off the Cross, We Need the Wood for the Fire, Psychopharmacology, The Man on the Burning Tightrope, and covers album Songs We Should Have Written (1998’s The Ponzi Scheme remains a creature of the wild).

Within the breadth of the first Firewater album, Get Off the Cross…, you hear a hint of transition from the hard-edged attack of CSC to a warmer – though no less angry – sound heavily influenced by eastern and old European styles. Romani fiddles, klezmer, Russian folk, even shades of sea shanties and cabaret… all injected into groove-heavy, fiery rock, embroidered with Tod A’s life-worn and knowing vocals.

 

“Bourbon and Division” – Firewater

 

But even on albums where the folk styles of the larger world takes a backseat, like 2001’s Psychopharmacology, Tod A’s sustained fire keeps things compelling.

 

“Get Out of My Head” – Firewater

 

And the covers of Songs We Should Have Written read like a sinister and sexy lounge act for those about to make their best worst mistake.

 

“Is That All There Is?” – Firewater

 

So much time has passed since Firewater’s last album that you’d be forgiven for thinking Tod A had abandoned ship just as it had set off into international waters. Is that all there is? Oh, no. Take this break to familiarize yourself with Firewater’s story so far, then keep your eyes and ears ready, for this story is… to be continued.

 

Firewater @ Bloodshot Records

Firewater @ Facebook

On Joe Strummer’s Birthday: The Latino Rockabilly War

 

To celebrate what would have been NTSIB patron saint Joe Strummer’s 60th birthday, I bring you a taste of the Latino Rockabilly War.

The Latino Rockabilly War – whose core consisted of Zander Schloss (Circle Jerks), Lonnie Marshall (Weapon of Choice), Jack Irons (Red Hot Chili Peppers, the Wallflowers), and Willie MacNeil (the Solsonics) – first came together with Strummer to record songs for the Permanent Record soundtrack in 1988. The soundtrack included “Baby the Trans”, “Nefertiti Rock”, “Nothin’ ‘Bout Nothin'”, and “Trash City”.

 

“Trash City”

 

“Nothin’ ‘Bout Nothin'”

 

Later that year, the Latino Rockabilly War joined Strummer on his Rock Against the Rich tour, playing new material as well as classics from the 101ers and the Clash.

 

 

The Latino Rockabilly War went on to back Strummer on his solo album Earthquake Weather, released in 1989. Songs such as “Gangsterville” showed the sprouting of what would later bloom into the sound of Joe Strummer and the Mescaleros.

 

“Gangsterville”

 

A Good Read, a Good Listen, and a Good Drink: JC Brooks and the Uptown Sound

 

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


 

I’ve effused about JC Brooks and the Uptown Sound’s rump-shaking soul and phenomenal live show more than once. They are just really fucking good, people! And in advance of their return to Cleveland this Sunday, Uptown men Andy Rosenstein (keys) and Kevin Marks (drums) have given us some fine recommendations

 

Andy says: I’d suggest reading Hardboiled Wonderland and The End Of The World by Haruki Murakami while drinking a Manhattan and listening to Charles Mingus’ East Coasting. When Mingus ends, put on Talkie Walkie by Air. (Bonus enjoyment if you do your reading in the bathtub.)

 

“Memories of You” – Charles Mingus

 

“Venus” – Air

 

Kevin says: Anything by Hemingway, a bottle of Jameson and Miles Davis’ Bitches Brew and see where that gets ya.

 

“Miles Runs the Voodoo Down” – Miles Davis

 

For a little taste of what you’ll experience Sunday night, here’s a KEXP session recorded not long before JC Brooks and the Uptown Sound’s previous Cleveland appearance back in November.

 

 

Sun, Aug 19 | 8:30 PM (7:30 PM door)
JC Brooks & The Uptown Sound

R.A. Washington & The Family Dollar
DJ Charles McGaw spins before & between sets

$10.00 adv / $12.00 dos
Tavern | All Ages

 

JC Brooks and the Uptown Sound

The Beachland Ballroom & Tavern