Mumblr, of Philadelphia, have recently released their first full-length effort. It is called Full of Snakes. The accuracy of that title will depend entirely on your personal feelings about snakes. (I have a certain wary appreciation, providing no venemous fangs are in evidence.) I have a good deal warmer feelings about the record; it’s brash and messy and weird and contains a love letter to Philadelphia which gets stuck in my head every time I listen to it: But there are also tunes like Sober, which is distorted, fuzzy, primal shriek of anxiety: And Greyhound Station which seething, roaring meditation on the strange combination of sweaty exhaustion, low-level terror, and rage that eventually settles on anyone required to spend any time in the titular location: It can be a challenging listen, at times, but it is absolutely worth it. In conclusion: here is the video for I Think About You All The Time – also their first video ever – which contains a dude in green paint for no apparent reason and some nudity towards the end. Adjust your viewing plans accordingly. You can listen to the rest of the record here on Soundcloud, at least for now. Alternatively you … Continue reading
It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss. In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire. AF the Naysayer (Amahl Abdul-Khaliq), founder of Dolo Jazz Suite, and co-founder of Self-Educated Vinyl, makes some groovy beats, and this is his debut music video: He’s currently out on tour with Prism House and Slomile Swift, and they are working their way around the country. New York, your show is on Sept. 11 at … Continue reading
Frank Iero (My Chemical Romance) has started (yet another!) band, which he is calling frnkiero and the cellabrations. Their first record, Stomachaches, just emerged Monday; this is the video for Weighted, the first single, which emerged somewhat earlier but has taken me a while to absorb. The parallels to certain pieces of My Chem iconography are inescapable; it’s impossible to watch the first minute and not think of the video for Helena, from Three Cheers for Sweet Revenge. And as Helena was a farewell, so, in a way, is this; it’s also a hello, and a warning: don’t try to raise the dead, lest you bring on a zombie apocalypse and the lead singer of your favorite band decides to eat your heart and play jump rope with your intestines. For all that it is gross, and disturbing, and I didn’t even make it through twice – I had to hide the tab and listen to him sing – I have to agree with the sentiment. I miss My Chemical Romance; I like Conventional Weapons and feel vaguely bad about it because they don’t; I’m sad I’ll never hear a pit howl along to Boy Division; but the band is … Continue reading
Dearest readers, Blackwater Jukebox (Geordie McElroy and a legion of talented friends) has put out a new, self-titled record, and it is packed full of foot stomping, hip-shaking, grab-your-partner-and-swing-em-around tunes. Some are remixed versions of material from Sleaze of the Reaper and Banjos and Breakbeats; others are new. But they are all great, and worth your time. To whet your appetite, here is Cleo May, a new tune which I like a lot: Blackwater Jukebox by Blackwater Jukebox And also the video for Eastside Girl, featuring Sadie D’Marquez and, you guys, I love it so much I wish I could teleport myself inside it, so I could dance along with the crowd.
It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss. In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire. Terminal Gods are from London, and listening to their music is much like settling into a comfortable spot in my favorite dive bar. It’s loud, a little grimy, but at the same time, instantly comforting and familiar. It takes the weight of the world off your shoulders. And for me, at least, it contains the … Continue reading
Late Night Listening: a home for things that might be fleeting, might be soothing, might be weird, might be soothing and weird. The blogging equivalent of sitting in the garage twiddling radio knobs just to see what might be out there. Or, okay, late night viewing, because the song – Hymnal, by In The Valley Below – is a dreamy masterpiece, but it’s the video that both captures and expresses the exact qualities of soothing weirdness that appeal to insomniacs everywhere.
Heads up, West Coast of America (and also Las Vegas), The March Violets are coming to visit you this June: Yes, it’s really them! They’re back! They’ve got a new record, too! It’s called Made Glorious, and you can check it out at their bandcamp page. Here are some excerpts to whet your appetite: Made Glorious by The March Violets Made Glorious by The March Violets And here is the video for Dandelion King, which features, among other things, a tremendously awesome headdress:
This is the video for Papaoutai, from by Stromae. It’s from his latest record, √ (Racine Carrée, or “square root”), and it’s about growing up without his father, who was killed in the Rwandan genocide in 1994 – Stromae, born in Brussels, is of mixed Belgian and Rwandan heritage – and I really don’t think I’ve seen more expressive and evocative dancing in a video this year or possibly ever. The song is awesome too. He’s playing two shows in New York this year, one in June and one in September, and they are both already sold out. Everyone else: see if he’s coming near you, and get out and see him.
Opening with the power drill riff of “There Will Be No Departures from This Stand”, Poor Music asserts that, no, the Wind-up Birds are not going to start taking it easy on you now. Continue reading