“Kudos to those with the broke nose breathing it in” Truth is, I should have been writing about Leeds band Post War Glamour Girls here a long time ago, but sometimes the relationship between a listener and a band plays out like a film romance – a glance across a crowded room, light and awkward flirtation, mixed signals, the listener ends up going home with some other band only to run into the first band again at some coffee shop, and stilted conversation is followed up by falling into bed together. You know, metaphorically speaking. In short, I am remiss for not mentioning it before, but PWGG are a good band. A really good band. Their 2014 full-length debut, Pink Fur, still enjoys heavy rotation in my listening and can still make me gape in wonder. Now, in the run-up to their next LP, to be released in October, PWGG are offering some of those new songs free for a limited time (as in, it was announced on August 14th that it would be free for two weeks, and it’s the 18th now, so…) in the form of the Feeling Strange (Part 1) EP. Listen and download below. Feeling Strange … Continue reading
Our friends in Blackwater Jukebox have a couple of new things: a new video, for Hangman Two-Step, which you can watch below, and also a new website. Hangman Two-Step purports to hail from Australia’s Barossa Valley, acquired during an encounter with Lazarous Scamp and the Bear Tribe Boys. I like it because every time I listen to it I remember the first time I heard it: standing on a freezing train platform in Newark, NJ, watching rats scuttle over the tracks, and possessed by a spike of joy of the kind that causes one to do things like abandon pastries and dance in public. As for the video, it is a fine piece of work by Kenji Christopher Green, even if that rope around Geordie’s neck makes me nervous every time the camera pans over it.
I Walk the Line is Scott McFarnon‘s interpretation of Johnny Cash’s classic tune and it is, in all seriousness, breathtaking – in a good way. He’s stripped it down and rebuilt into something quiet and melancholy; the eyes that are wide open all the time gaze upon the line in a state of mournful, almost wistful introspection rather than paranoid, hypervigilant bravado. In the video below, McFarnon uses London’s newest park/art experiment, also called The Line, to illustrate his vibe, and it is beautiful.
No one ever retires permanently anymore, do they? Even dead artists have made returns to the stage. A year into my so-called retirement, I’m feeling antsy and decided I needed to get back into this blog that has given me so much. I won’t be trying to keep to the daily schedule that wore me out the first time, but I’ve got some ideas brewing and thoughts to share. (Plus, there’s a new Wind-up Birds EP coming in the near future.) First off, though, a quick post to share the great news that First Nations DJ/producer crew A Tribe Called Red have a new EP out called Suplex. ATCR continues to combine native song and drum elements with compelling beats for the same heady effect that intoxicated me when I first heard them back in 2012. Fader recently premiered the video for title track “Suplex” (featuring pow wow drum group Northern Voice), described as “a story about native youth, wrestling and becoming a role model without needing the stereotypes.” Suplex is available via the ATCR website, Spotify, and iTunes. (And you can get one of those sweet bandannas as featured in the video at ATCR website.) If you missed their … Continue reading
For those of you who don’t know, CouchxCouchWest is an annual music festival that is held exclusively on the web, where brave souls flip on their recording devices and sing a song anywhere but a stage. Pants are optional, pets are encouraged, and you always get a front row, er, screen, seat. Canada sent several acts this year; below are some of the highlights. Modern Day Poets, of Vancouver, British Columbia, with This City: Norine Braun, also from Vancouver, B.C. with Drunk, which is about love and day-drinking: The Holy Gasp, of Toronto, Ontario, with a conga-driven song about creepy crawlie nightmares, aka Bedbugs. And then to clear your mental palate, Winnipeg, Manitoba radio host Nancy Slater with her interpretation of Heavy by The Glorious Sons:
It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss. In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire. Catherine Feeny, indie folk solo artist has teamed up with jazz percussionist Chris Johnedis to make a record, and it’s scheduled to emerge into the world later this month. I’ve had the pleasure of listening to some tracks ahead of time, and here’s what I can tell you: it’s a many-faceted folk-jazz fusion gem. These … Continue reading
And now, a return to regularly scheduled programming, in the form of a really lovely video for an awesome song. This is Northern Lights by Ryan O’Reilly. The song is the title track for his upcoming EP; the video was shot in Hamilton, Ontario, Canada and my feelings about it are basically a series of animated gestures and the lingering desire to be able to walk around the place and find my own paths through the rusty cars and the snow. It’s bleak, I guess, I mean, it’s a rust belt town, and the cinematography makes everything look beautiful, but that’s just movie magic and romanticizing a grim reality. But there’s a warmth and sweetness, too, a sense of having entered a secret world, of having found small joyful things to love amid the wreckage.
I am still slowly working my way through the CouchxCouchWest performances, but here are three that I think are particularly awesome. Grace and Tony, How Great Thou Art: They got this one in just under the wire, and I am so glad they did, because it is magnificent. The California scenery, yes, but also their voices, and most especially how they revitalized this old hymn. EdTang and The Chops, Willy Loman: In their CXCW bio they state they all met at a Michael Jackson impersonators conference in Asbury Park, New Jersey. I don’t know if that’s a hook or the truth, but I clicked on their video and I was not disappointed. Leslie Jabara and Susan Hurley, Do You Love An Apple: Coming all the way from Ireland, these two ladies, music therapist and music therapist-in-training, bring with them a lovely rendition of a bittersweet traditional song, complete with harp.
One of the many awesome things about CXCW is catching up with old favorites. I developed a deep fondness for Water Tower back when they were the Water Tower Bucket Boys and singing awesome bluegrass songs about acid tripping in San Francisco, and then I lost track of them a little bit. So I was super pleased when their video featuring their new song Town and a cover of Spaceman 3’s Come Down Easy popped up yesterday. They’ve evolved from their bluegrass roots, though not that far – just enough to settle into a psychedelic groove. Water Tower will be at That Other Festival as well (multi-tasking! excellent!), and to follow their adventures, you may consult Facebook, here. To follow CouchxCouchWest, you may consult Facebook, Twitter, or refresh the Festival page several times a day.