1. The Garden is a two person band, made up of identical twins Wyatt and Fletcher Shears of Orange County, California. 2. California Here We Go is their most recent single and was the first video of theirs that I watched. My first response was whaaaaat followed by watching a whole bunch of videos by other people and then going back to watching The Garden again because they were by far the most unusual and interesting. Also I was trying to figure out why they were wearing clown make-up. I still don’t know, though it is a recurring theme in their recent videos. 3. The Garden are very much a law unto themselves. Their universe is unique and partially closed; their genre – “vada vada” – is their own invention and more symbolic than descriptive. Even with the sound on and the lyrics mostly intelligible their videos are an experience akin to watching surrealist art movies in a noisy bar. 4. When not rocking out, they’re models. Interviews suggest they have a very low-key approach to high fashion, and, sometimes, to gender. 5. They were on Burger Records, at first, but are now on Epitaph. This is All Smiles Over … Continue reading
I saw Ciaran Lavery at SXSW, and was bowled over; it was truly a transcendent experience. The good people of the Northern Ireland Music Prize apparently felt the same way, because they just named his new record, Let Bad In, their winner for Record of the Year for 2016. In addition to that one, which you can get here, he’s also just finished a live record, called Live at the MAC, which was recorded at the MAC Theater in Belfast, Northern Ireland and will be out Dec. 9. It incorporates tunes from all three of his records, plus some covers and a Christmas song, and I very strongly recommend it to y’all. Here, as a taste of his sound, is the video for Return to Form, from Let Bad In:
One Social Distortion show I went to – it may have been the last one, I don’t remember – my companion and I wedged ourselves into a spot on the risers near the pit (we were at Roseland) and, as is the way of things, started chatting with people nearby. About halfway through the show a man wriggled out of the pit and came to visit one of the ladies in front of us. He was sweaty and kind of battered but thoroughly happy. It was the kind of happiness that enlivens a group, as the energy of the pit rolled off him and enveloped us. That’s what I think of, when I think of Social D. That dude, and his lady, his tattoos and big grin, and how he shook himself like a wet, sweaty dog and we made rueful faces and then assured him he was never too old for the pit. This When the Angels Sing from White Light, White Heat, White Trash (1996). It’s not as iconic as Ball and Chain or Sick Boy, but I’m fond of it.
It’s Thanksgiving in America, and at NTSIB that means it’s time for a live concert video. This year it’s Charles Bradley, funk-soul phenomenon, live at Festival Musiques. He’s a true American success story, surviving many years of poverty, homelessness and odd jobs – including working as a James Brown impersonator – until he was discovered by Daptone Records. If you like his tunes you can buy them at bandcamp. Happy Thanksgiving / Thursday, NTSIBBers.
It’s been a while since we last checked in with Born Stranger. I’m pleased to report they’re still plugging away, working on a new record with producer Kwame Kwaten and expanding both their name (they used to be called just “strangers”) and their musical horizons. I’m sharing this video for Be Someone, their latest song, partially because I’m fond of them, and partially because I’m a sucker for . . . for beautiful angsty dancing, I guess. For ballet dancers? Or at least for this ballet dancer, who works out his inner turmoil with power and grace, and, ultimately, finds freedom in a different style of dance. The song is pretty great, too. If you like dark synthpop you should press play below.
If there is one thing Rob Zombie can be relied upon to provide, it’s music that is gleefully filthy, energetically ridiculous, and packed with killer riffs. This spirit is embodied perfectly by this video for Well, Everybody’s Fucking in a U.F.O. from his new record, which rejoices in the title of The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser. Hold on, I totally fell down a Rob Zombie-shaped hole on YouTube and am now rocking out to Dragula, Living Dead Girl and SuperBeast. He’s such delicious Gothic-Industrial candy. To borrow from Rolling Stone: Rob Zombie, for when you just want to bang your head. Right, where was I. Oh yes, this video. The first two minutes is basically a super short film and an elaborate set up for the last four, and is mostly what would happen if Ed Wood had worked blue. By which I mean: If you have ever wondered what alien penis looks like, do not feel alone, for Rob Zombie has also considered this Very Serious Question, and he has committed his answer to film. As you might expect, all six minutes of the video are most assuredly not safe for work, unless you have … Continue reading
Today on Folk Music Friday we’re swinging back to the traditional side of the spectrum, with the Clancy Brothers and Tommy Makem. This is a video of their Late Late Show appearance from 1984, right before they launched into their reunion tour. The first minute or so provides context for who they were and what they meant on a global and national scale, and the impact they had on resuscitating the Irish folk music scene in the 1960s and ’70s. There’s also an extended interview which covers their early history, including the origins of the now-iconic sweaters, and commentary by other folk musicians about their impact. But outside of all of that, they were (are) one my favorites, account for at least half of the soundtrack of my life until I discovered rock music. I saw them for the first time a few years after this video was made, in a tiny little Irish bar in the District of Columbia. I arrived clutching an armful of their old records, abstracted from my parents’ record collection. They were baffled but charmed – I was about 40 years younger than their average fan at the time – and signed all of them … Continue reading
This is Vampire Money, by My Chemical Romance. I have a lot of feelings about this song. It’s, like, A Lot. A cheerful “fuck you” to the Twilight movie empire. An in-joke between band and fans, of a kind, a fuck-you issued in support of . . . I always want to say real vampires. Of the traditional vampire ethos. From a band who celebrated that ethos in dramatic and campy fashion, with a wink and a smile, and who also wrote lines like I’m not dead / I only dress that way in complete seriousness. Who were wide-eyed and earnest and nervous and weird and felt, on the whole, like people I would have enjoyed visiting with at parties. They were surprised how much the fans loved it. They had never meant to play it live, but the crowds screamed for it and so they did. This is not the best audio or video out there, but – the more polished versions I could find didn’t feel quite right. The shaky cam from the balcony, filmed by a fan, that’s the way it should be. My Chemical Romance lies dormant, locked in its coffin, but My Chemical Romance (and … Continue reading
I had a difficult time picking both a song, and then a video, for this post. I finally settled on this one because his voice is the strongest, and he sounds the most – like himself, for lack of a better term. I had the chance to see Leonard Cohen at Madison Square Garden a few years ago, and I’m glad I took it. I was too far from the stage to take pictures; practically in the rafters. Even elderly and frail he held us in thrall. The Garden has never felt like more of a sacred space – a temple of song, to paraphrase one of Cohen’s own lyrics. And, too, I am, like a lot of people, genuinely fond of this song. Rest in peace, good sir. We shall miss you very much.