Calexico and Iron & Wine, Father Mountain

Calexico and Iron & Wine, “Father Mountain) from Years to Burn (2019):

I picked this song because: I don’t know why “read the writing on the wall / braced each other for the fall / there’s only one way off the mountain after all” smacked me right in the heart, but it did.

Calexico and Iron & Wine have that effect, though, separately and together. I still have several love stories I want to write based on/inspired by their last record together (In the Reins, 2005), so I have high hopes for this one as well

(Are we back? Am I? Maybe. We’ll see.)

Rock ‘n’ Roll Photog: Newport Folk Festival, Part I

Jennifer took a trip out to the legendary Newport Folk Festival and brought us back this two-part report.


Day 1

The first night of the festival, one of the topics of dinner conversation was Why are you here? Not in a mean way, but rather: what inspired you to make this journey? The best answer I could come up with was: Well, I got a wild hair . . . which was met with bemused humming and ended in a tangent on regional usage of the phrase. It’s essentially true, however: I went to Rhode Island for about 24 hours largely because back in February I squinted at the calendar and decided I could and it was there and why not?, and oh yes, there are some bands playing that I kind of like! And possibly also because the Internet has permanently changed my idea of what qualifies as a “local show.” Rhode Island! I can get there on the train! (And the bus . . . ) That totally qualifies as “nearby”!

My voyage to the Newport Folk Festival began before dawn on Saturday and included a brief (and accidental) detour to New London, CT. I missed A.A. Bondy’s set at the festival as result, which was distressing, but I consoled myself with a walk around town. There is a surprising amount of street art in New London, and a good deal of it has nautical themes. Here’s one of a whale, which stretches almost the entire length of a block:

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By WyLAND, 1993

My favorite one, though, is this one , because it is so delightfully bizarre. Anyway, after getting back on the train, I carried on to Providence, RI, where they were getting ready to set the canals on fire (aka WaterFire ; I’m tempted to go back in October and see it for myself) and then got down to Newport in time to catch a little bit of Calexico:

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Calexico

I got there in time to hear them power through a couple of songs, including Guero Canelo, which is one of my favorites. Between bands there was peoplewatching, and also punks with horns and drums:

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What Cheer?

Next up was Andrew Bird:

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He played some bits and pieces of things that, he said, “might be songs someday” and that was when I wandered off to the beach:

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I have to say, listening to Scythian Empires with my feet in the water and the sun on my face was a highlight of the afternoon. I came back up to the main area for John Prine, who brought the whole thing back around to a more old-fashioned country-folk place:

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And then later I went for a guided tour of the town:

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This statue on the main drag CREEPED ME OUT. Apparently they put socks on the feet in the winter.

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The oldest sailors’ bar on the Newport waterfront and allegedly home of the best chowder in town. I had some, and it was delicious.

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Buskers by the creepy statue; they were pretty good, so we stayed a few moments to listen to them.

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Jazz on the way to the Coffee Grinder; there’s a public seating area at the end of the pier where one can sit and enjoy the breeze and watch the boats in the harbor.

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Bridges and boats by night, from Bowen’s Wharf.

I finished off the day with some delicious ice cream, and then went back to the hostel and crashed.

–Jennifer