Video: Rob Zombie, Well, Everyone’s Fucking in a U.F.O.

If there is one thing Rob Zombie can be relied upon to provide, it’s music that is gleefully filthy, energetically ridiculous, and packed with killer riffs. This spirit is embodied perfectly by this video for Well, Everybody’s Fucking in a U.F.O. from his new record, which rejoices in the title of The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser.

Hold on, I totally fell down a Rob Zombie-shaped hole on YouTube and am now rocking out to Dragula, Living Dead Girl and SuperBeast. He’s such delicious Gothic-Industrial candy. To borrow from Rolling Stone: Rob Zombie, for when you just want to bang your head.

Right, where was I. Oh yes, this video. The first two minutes is basically a super short film and an elaborate set up for the last four, and is mostly what would happen if Ed Wood had worked blue. By which I mean: If you have ever wondered what alien penis looks like, do not feel alone, for Rob Zombie has also considered this Very Serious Question, and he has committed his answer to film.

As you might expect, all six minutes of the video are most assuredly not safe for work, unless you have a very special job at Area 51.

Rob Zombie - Well, Everybody’s Fucking in a U.F.O. (Explicit)

Light ‘Em Up: A Compendium of Halloween Music and Light Shows

And today, fresh-fished from YouTube, a selection of my favorite Halloween house displays synchronized to music.

There is an art to this; selection of music is important – there are several songs that are apparently popular for these shows that are hot right now but not especially seasonal – but choreography is just as crucial. The following are videos that I thought nailed the idea of “Halloween Musical Light Show” in terms of both form and content.

First, from Naperville, Illinois: a show set to My Songs Know What You Did In the Dark (Light ‘Em Up) by Fall Out Boy, because YES, perfect use of this song!!!! and also they pick the right thing to highlight during the actual Light ‘Em Up section of the chorus. They have multiple videos: there is also one for Du Hast, by Rammstein (unusual but also classic music choice!!) and Dragula, by Rob Zombie.
 

Thomas Halloween 2013 Naperville, Fall Out Boy, My Songs Know What You did in the Dark, Light Em Up

 
From Valley Center, CA, something for classic rock fans: AC/DC‘s Hells Bells, another unusual but excellent choice. Also I love the little skeleton doing jumping jacks.
 
Musical Halloween sequence to Hells Bells by AC/DC

 
And from Leesburg, Virginia, Sail by AWOLNation (Skorge Remix), for truly excellent choreography to a dubstep track. They also have a bunch of videos, including one for Ghost N Stuf by DeadMau5.
 
Halloween Light Show 2013 - Sail by AWOLNation (Skorge Remix)

 
And finally, a Honorable Mention for a classic from 2011: from Riverside, CA, This is Halloween (Original Soundtrack), from Nightmare Before Christmas.
 
Halloween Light Show 2011 - This Is Halloween

Video: Rob Zombie, Dead City Radio and the New Gods of Supertown

There’s a lot going on here – hippie!Zombie, zombie!Zombie, breakdancing skeleton, various kinds of freaky ballerinas – and it is ALL AWESOME.

The song is Dead City Radio and the New Gods of Supertown, from his new record Venomous Rat Regeneration Vendor due out at the end of the month.

Metal Hammer has a tracklist and from the looks of things we are in for a SUPER FREAKY TIME. I’m excited, y’all.

I also have a bunch of questions, like, has there been an apocalypse, and is the radio a communications tool or a framing device or both, and is Supertown like Bartertown or what, but, I suppose all of these things will be answered in time.

Meanwhile, I’ll enjoy the video.

 

Rob Zombie - Dead City Radio And The New Gods Of Supertown

 


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Artist I Really Like: Rob Zombie

That’s the sum total of the thesis of this post, y’all: Rob Zombie, I Really Like His Tunes and His Style.  My reasons, in video form:

 

White Zombie - More Human Than Human

More Human than the Human (1995)

This one is actually from when he was part of White Zombie, and was one of the first songs I heard when I started going clubbing in Glasgow in 1996. I’m not quite sure how I missed it before that, but I did. It was definitely a “What is that and where can I get some more?” moment. When I got home I decamped to Tower Records where – this was the downside of living in suburbia when the Internet was still very young – all they had was the remix album, Supersexy Swingin’ Sounds, which was interesting but not . . . quite . . . what I was after.

Puzzled but not put off, I went back to college; meanwhile, White Zombie broke up and Rob Zombie went solo, and eventually put out Hellbilly Deluxe, in 1998. By then I had jumped across the ocean again (for work, this time) and on weekends I was going to places where they played these two songs a whole lot:

 

Rob Zombie - Dragula

Dragula (1998)

Rob Zombie - Superbeast

Superbeast (1999)

 

My favorite part of the video for Dragula is that he seems to be trying to play Grand Theft Auto in a tricked-out Model-T.  Anyway, jumping forward in time a few years: when The Sinister Urge came out in 2001, I was back in the U.S. again, in Brooklyn, and had mostly stopped clubbing.  I moved again about a year afterwards, and discovered that it’s also a great driving music. Never Gonna Stop (The Red, Red Kroovy) is an especially delicious way to start a long trip. And Feel So Numb is the track I frequently put on in the evenings this past semester as I was walking either to or from class:

 

Rob Zombie - Feel So Numb

Feel So Numb (2001)

 

As I’ve been putting this together I discovered I missed a record while I was in (cultural) exile: Educated Horses, in 2006 (whoops!), so my next and last favorite song is What? from Hellbilly Deluxe 2, in 2010. I have been dancing around my apartment to it for a while now, and also, because this is what I do in my spare time, dreaming of ways I would make a video for it. When I went to looking for the “official” video, I found that a) there isn’t one and b) two fierce ladies have stepped up and made their own, complete with really amazing dance moves:

 

http://youtu.be/jUZ8ba1-TZg

“What?” direct by BODYCON, starring BODYCON and Kristina Z (2010)

 

The last reason I really like Rob Zombie fits under the heading of “style” and is this: when I (finally!) got to see him live a year or so ago, not only did he play all of my favorite songs, he also did something I’d never encountered at a hard rock show before: he called a special ladies’ only pit, scolded the dudes who tried to crash it, and gave the girls hanging on the barrier a chance to mosh.

I couldn’t get in it myself – I was back by the soundboard at the time, since I had come  up late, after school, just in time for him to come on – but I appreciated the gesture, and him for making it, because in a very real way, a place in the pit is a place at the table. Thank you, Rob Zombie, for the all of the tunes, and for that moment. I look forward to whatever your next musical adventure may be.