Ships Sail Past My Heart: Rhubarb Whiskey, Cautionary Tales

Photo by Flip Cassidy

Rhubarb Whiskey are Boylamayka Sazerac (Oakland Wine Drinkers Union, Subincision; vocals, guitar, upright bass, mandolin, metal chain, railroad spike on accordion case) Emchy (Vagabondage, Oakland Wine Drinkers Union; vocal, accordion, clapping, musical saw mallet on spice jar) and Sizzle La Fey (The Sweet Trade; fiddle, mandolin, whiskey bottle). They are from San Francisco, and Cautionary Tales is their first full length release.

It is aptly named, as it is jammed full of blood- and whiskey-soaked tales, such as Banks of the Ohio and Birch Bones, both of which are far too bouncy to be called murder ballads. Murder gavottes, maybe, or murder hooligan’s jigs.1

There’s also Bears in the Lot, which is an extremely entertaining meditation on the perils of losing bets and drinking in Alaska, and Whiskey Neat which is mainly about the joys of drinking whiskey, pretty girls and narrowly avoided bar fights. But my favorite song, the one I have been listening to somewhat, er, obsessively, is We All Come to the Same Place.

It’s a song about chosen family; for me, it’s the song I would (will probably) put at the end of a mixtape for a new friend, or lover, to say: this is sound of my ravens rising and soaring over the frozen lake, wing to wing, and my swallows, descending after a long journey home; this is the song of the travelers lantern always kept burning on my porch, for loved ones, and because I, too, often take flight, and need the light in the distance to call me home; these are my people, this is my tribe, and we are the wandering, traveling kind.

Here is a live version, recorded at the Starry Plough in Berekeley, CA:

 

http://youtu.be/WxZbrDLfa6k

 

And if after reading all of that, you would like a strong drink, Rhubarb Whiskey can help you out there as well, for the name of the band refers to an actual drink.

For those of you who have ever tasted raw rhubarb2 and are now thinking Rhubarb and whiskey? Together? But I like having tastebuds!, know that I had the same concern, and inquired how it was possible to drink such a thing and not expire of acute bitterness. It turns out there is a secret ingredient.

Not so secret anymore, though, since below you will find the Official Recipe for Rhubarb Whiskey, courtesy of (and created by) Emchy:

Official Recipe
Rhubarb Simple Syrup
1 cup sugar
1 cup water
1 cup peeled and chopped rhubarb
Boil 1 cup of water, add 1 cup sugar, stir until sugar is completely dissolved, add 1 cup coarsely chopped and peeled rhubarb, lower water to a simmer, let simmer covered for one hour. Put into glass mason jar to cool and then refrigerate. Let sit at least one hour (a full day is better for flavor).

Once your rhubarb simple syrup is cool, add one part syrup to two parts rye whiskey (brand of your choice but don’t go too high end, that insults the whiskey and brings bad luck — we suggest Beam Rye or Makers if you need to get a little fancy). 1-3 ice cubes recommended. Now put on your favorite murder ballads album, drink up, and be careful — it goes down a little too easy.


1 The Hooligan’s Jig was a set dance I encountered at ceilidhs put on by the Cecilian Society at the University of Glasgow, while I was there. It’s not so much a set dance as it an endurance test. Basically you line up two rows of couples and then spend 10 (or more) diizzying minutes running through sets that involve swinging your partner, trading partners, and swinging some more. It’s tremendous fun, especially if you’re dancing with a large group of people who treat ceilidh dancing as a contact sport.

2 My grandmother had rhubarb growing in her backyard – wild or planted, I don’t know, but it was mixed in with asparagus – and I took a nibble of a stalk one afternoon, expecting it to be sweet, like rhubarb pie. It wasn’t; in fact it is still in among the top five unhappy food surprises I have ever had.

King Mob: Make the Black Sun Rise

 

I get a little nervous when I see the term “supergroup” thrown out. It’s been used so often in recent years that it’s become synonymous with “disappointment”. So, when I opened my e-mail and started reading about a “supergroup” caled King Mob, I was ready to delete and move on… until I saw the name Glen Matlock1. Then there was mention of Martin Chambers of the Pretenders. Alright, I’ll listen to that.

 

 

Hell, I’ll listen to that twice (actually, I lost count of the number of times I listened to it).

Rounding out King Mob are Chris Spedding, best known as a versatile session guitarist who has worked with Roxy Music, Harry Nilsson, Brian Eno, Tom Waits and on and on; Stephen W. Parsons (a.k.a. Snips), who was in the Sharks with Spedding and has composed music for films; Sixteen, a young guitarist who also has a psychosurf outfit called One Fathom Down.

King Mob’s album, Force 9, is out now, and if you’re living in the right place, you can get a free download of “Selene, Selene” (if you’re in the U.S., you’re S.O.L.). If you’re living in the right place, you can also see the band performing live at 229 the Venue in London this Thursday, November 17 (tickets available here).

If you’re not living in the right place, well, here’s another video as a consolation.

 

 

King Mob Official Website

King Mob @ Facebook


1 You know that band the Sex Pistols, yeah? You know that guy Sid Vicious, yeah? Well, before and after Sid, there was Glen.

Give: Daniel Knox and John Atwood

 

NTSIB friend and Couch by Couchwest (the internet-based answer to South by Southwest for the lazy and the poor) alumnus Daniel Knox and photographer John Atwood could use your help.

Atwood writes:

Songwriter/composer Daniel Knox and I were recently selected by the Byrd Hoffman Watermill Foundation to be artists in residence this fall at Robert Wilson’s Watermill Center in Watermill, NY.

Through the course of the residency, Daniel will expand, develop, and complete a long-form piece of music written and arranged for piano, voice, horns, strings, and percussion, based on my photography.

The residency will culminate in a premiere performance of the final piece alongside an exhibition of the integral photographs at the 92YTribeca, New York, NY on 26 January 2012.

Your support will “help cover production expenses for the exhibition: framing, printing, and equipment rental, accompanying musicians, publicity materials and costs.”

Atwood’s photographs have graced the covers of Knox’s Disaster and Evryman for Himself albums, and this further step in their collaboration is an exciting one. Check out the Kickstarter video below, then visit the site to see how you can help.

 

 

John Atwood @ Flickr

Daniel Knox Official Website

 

Daniel Knox – Disaster from Daniel Knox on Vimeo.

Saturday Matinee: The Future is Unwritten

 

Apologies for the absence, my babies. I’ve been battling the flu from hell the past couple of weeks, but I’m ready to get back on top of things. So, here’s a tribute to the NTSIB patron saint, Joe Strummer, from filmmaker Julien Temple.

After watching this, I highly and enthusiastically recommend getting a hold of Dick Rude’s wonderful documentary of Joe’s last tour, Let’s Rock Again!. And if you’re in the mood for the absurd, Alex Cox’s Straight to Hell Returns is free to view on Hulu.

 

Joe Strummer – The Future Is Unwritten (Documental) from hardcorepunkarg7 on Vimeo.

Feel Bad For You, November 2011

 

The rabble of bloggers, Twitterers, musicians and miscreants has gathered again to bring you your monthly dose of Feel Bad For You boundary-less musical chaos, which you can stream and/or download below. To make up for last month’s oversight, I’m representing double this month. Thanks, Matt!

Download

Title: Lowdown
Artist: Tom Waits
Album: Orphans: Brawlers, Bawlers & Bastards (2006)
Submitted By: Brad Kelley
Comments: In honor of his first release of new studio material in seven years, Bad As Me, I give you great song from the 3 CD 2006 compilation, Orphans. This rocks.

Title: Ballad of Fuck All
Artist: Malcolm Middleton
Album: Waxing Gibbous (2009)
Submitted By: Gorrck
This song fits my mood these days. Fuck it all. Burn it all down. Meh, there’s a new episode of “Community” I haven’t seen yet.

Title: Beauty Queen Sister
Artist: Indigo Girls
Album: Beauty Queen Sister (2011)
Submitted By: Phil Norman – @philnorman
Comments: You should have seen the look on Matt’s face when I told him I followed the Indigo Girls around like a deadhead back in ’94. These ladies been writing great song after great song for over 20 years.

Title: I Can Tell
Artist: Jo Wymer
Album: Living With Scars(2011)
Submitted By: @popa2unes
Comments: I have to thank bryan at Ninebullets for turning me on to this great lady in my backyard. So I’ll let him say it: ‘She growls, purrs, and isn’t afraid to hit the high notes throughout her hook-laden debut and it’s literally a tour de force of potential hits, songs that are radio-ready, if radio had any soul left. Check out Ninebullets to get another two songs.

Title: Lionhearted
Artist: 4 On The Floor
Album: 4×4 (2011)
Submitted By: toomuchcountry
Comments: I reviewed a new CD by this Minneapolis quartet last spring (http://toomuchcountry.blogspot.com/2011/03/cd-review-4-on-floor.html). While the gimmicks are heavy (4 band members, all songs in 4/4 time, songs involve band members kicking their own bass drum, album name 4×4, etc.), the music is pretty dadgum good. Thought it was worthy of submitting for FBFY.

Title: Outlaw Man
Artist: The Eagles
Album: Desperado (1973)
Submitted By: Bryan Childs (ninebullets.net)
Comments: Deperado, the second studio album by The Eagles, was a concept album loosely based on the infamous Dalton Gang. Anytime people just scoff at the notion the Eagles were ever a good band, I give them this album.

Title: In America
Artist: The Vandals
Album: Play Really Bad Original Country Tunes (1999)
Submitted By: Truersound
Comments: for the occupiers ;)

Title: Worth
Artist: Powder Mill
Album: Money, Marbles and Chalk (2010)
Submitted by: Shooter Jennings
Comments: Womern

Title: Beautiful Bad Day
Artist: R. Mutt
Album: Leash On Life (2011)
Submitted By: PearlSnapMan

Title: Hold On
Artist: Alabama Shakes
Album: Alabama Shakes EP (2011)
Submitted By: TheOtherBrit
Comments: I’m driving to Alabama in a matter of hours to see this band. I love this EP and not just because this song uses my name. I think you’ll be hearing a lot from these guys (and girl) in the next year.

Title: Fool’s Gold
Artist: The Damn Quails
Album: Down The Hatch (2011)
Submitted By: Trailer
Comments: I’m obsessed with this band at the moment.

Title: Somewhere Else
Artist: Jim Bryson
Album: Live At The First Baptist Church (2008)
Submitted By: Simon
Comments: Great live version of a track that appeared on Bryson’s 2003 album The North Side Benches, for the unacquainted Bryson is a long-time sidekick and collaborator of Kathleen Edwards – who recorded a version of this track on her Back To Me album.

Title: Pray on Me
Artist: Kill It Kid
Album: Feet Fall Heavy (2011)
Submitted By: April @ Now This Sound Is Brave
Comments: Matt from Mudlow turned Rick Saunders on to this band, and Rick, in turn, tapped it into my veins. I was about five songs into this album before I could finally close my gaping jaw. Thundering.

Title: What’s the Matter with You
Artist: Split Enz
Album: True Colours (1980)
Submitted By: BoogieStudio22
Comments: Power pop at its finest. Love the keys!

Title: Cleveland Polka
Artist: mr. Gnome
Album: Heave Yer Skeleton (2009)
Submitted By: April @ Now This Sound Is Brave
Comments: My favorite Cleveland band has released their third full-length album, Madness in Miniature. Since I don’t have that album yet, here’s a track from an earlier album that should show you why you need to buy all their LPs and EPs and see them live and buy lots of merch. After all, mr. Gnome is better than porn.

Title: No Happier
Artist: Low Duo
Album: The EP of Fear and Failure (2011)
Submitted By: Slowcoustic
Comments: Something a bit different in it not being just a “guy with an acoustic guitar”, still a bit lo-fi and very UK sounding. Just something that catches my ear now and again.

Title: Fall Asleep
Artist: Courtesy Tier
Album: Holy Hot Fire EP
Submitted By: Cowbelle (www.morecowbelle.net)
Comments: A gem from my inbox. More on these guys soon on the blog.

Title: Oo-Ma-Liddi
Artist: J.J Jackson & The Jackals
Album: The Roots Of The Cramps (2009)
Submitted By: annieTUFF
Comments: I always get mixtape anxiety right before I submit a song, and I really, really, reeeeaaaaalllly couldn’t decide what song to use for this month (its was a fierce internal struggle between Roky Erickson, The Undertones, and Screaming Lord Sutch….). So, instead of going with any of the bands I just mentioned I went for a completely different choice. This song never fails to make me dance like a fool, even while driving….which is dangerous AND I look like an idiot. But dang dudes, just listen to this and try not to shimmy and shake.
Also, I believe the original release of this song was 1959, but the 2009 “Roots of the Cramps” comp is really good, check it out.

Title: Safe
Artist: Danny Barnes
Album: Rocket (2011)
Submitted by: Mando_Lines (Jim Warren)
Comments: Nice track off of Mr. Barnes new record. Not representative of the rest of the record, however, which is mainly rock.

Title: God Damn Job
Artist: The Replacements
Album: Stink (1982)
Submitted By: Rockstar_Aimz
Comments: This song is the story of my life right now. Feel bad for me!

Postcards from the Pit: Patrick Stump, Starland Ballroom, NJ, 11/4/11

To the left, in the snazzy teal suit: Patrick Stump, formerly of Fall Out Boy. To the right, on the bass, Matthew Rubano, formerly of Taking Back Sunday. Also present are Michael Day on guitar, and Casey Benjamin (HEAVy) on keys and saxophone. (Skoota Warner of Ra is playing drums on the tour, he’s just not in this picture.)

Patrick Stump and friends – technically this is a solo tour for him – were the second of three acts in the show I went to last Friday. The  first opener was Foxy Shazam, the headliner was Panic! at the Disco, and I’ll get to back to them later. First I have to tell you that how Mr. Stump and his merry crew put on a defiant, triumphant, raucous roller-coaster ride of a show. I was actually really surprised at some of the pictures I was able to get, given the way the pit was heaving.

Like this one, for example:

IMG_2808

The set started with a snippet of Bowie’s “Let’s Dance”, which essentially set the tone from the evening. (We were jammed in too tight to really dance, but there was definitely a great deal of enthusiastic jumping up and down.) The rest of the songs, with the exception of a cover of “In the Air Tonight”, were drawn from Stump’s solo work, including both the Truant Wave EP and the more recent full length  Soul Punk.

His new, post-FOB sound is different than FOB – more synths, less thundering drums – and has soul, funk, and dance-pop elements. The  lyrics with sharp, sharp edges are the same though. For example, on Soul Punk there is Run Dry (X Heart X Fingers) a bouncy up-tempo number that is at least in part about hitting an alcohol-fueled rock bottom, and The “I” in Lie, a soulful meditation on infidelity.

On the other hand, there is also This City, a mostly-sweet pop hymn to both the bright and dark sides of Chicago, Stump’s home town, and Coast (It’s Gonna Get Better) the theme of which is “you may think things are screwed up now, but hang in there, it’s going to get better.” (My favorite, to my own bittersweet bemusement, is Bad Side of 25, because I do actually remember Chernobyl and a time when there were two Germanys.)

Anyway, here are some more pictures from his set:
 

IMG_2833Conducting the pit

 

IMG_2867The photopit in front of me suddenly (and briefly) cleared . . .

 

IMG_2878Drum solo! (I promise he’s in there.)

 

IMG_2890Matthew Rubano and the double-bass keytar.

 

The Panic! tour is winding down now, but Stump will be playing more shows this winter, and if you can catch him, you should. Now, as for the rest of the evening: Foxy Shazam and Panic! at the Disco were as fabulous as ever.  I’ll leave you with a couple of pictures from their set(s):

 

IMG_2746Eric Nally and Sky White

 

IMG_2773Alex Nauth; sadly, his fabulous furry boots are hidden behind the monitor.

 

IMG_2785Eric Nally, Loren Turner (guitar), and Eric Nally’s light-up cowboy hat.

 

IMG_2797Sky White, with Daisy and his bass in the background.

 

IMG_2983Brendon Urie, during Always.

 

IMG_2941Fierce Brendon Urie is fierce!

 

IMG_2925Dallon Weekes on the keyboard

 

IMG_2959My attempt at getting both the still-pogoing pit and the band at the same time. I promise there are many many arms waving in that inky darkness on the left.

 

IMG_2998A good whole-band shot, as they were winding down.

Buy A Gun or Go To Memphis: Gary Hunn and the wayward angels, Dust & Gin

Readers, I have a confession: the person in charge of NTSIB’s ReviewShine account is me. And when I’m going through submissions I generally tend to scroll up to the top of the list, press play and then let it roll, as if it was the radio. When a songs pops up that gets my attention, then I’ll dig deeper and see if I like the whole record.

A couple of weeks ago, it was Buy a Gun or Go To Memphis by Gary Hunn and the wayward angels that made me stop and say “Who is that?” out loud to my computer:

 

http://youtu.be/HIM_t4H7HM4

 

I’m not sure if the question of “Death or Graceland?” has ever been posed in quite that way before, but in any case, I did go and listen to the rest of the record to see what other gems might be lurking. And there are several; I’m especially fond of Broken Lives are Mended Here and Breathe As You Go, but in general, if you like old-school honky tonk music with piano and pedal steel, this is a record for you.

The biggest surprises came when I went to find out where Hunn was from and what else he’d done. I had somewhat arbitrarily filed him under “Tennessee” because of both his accent, musical style, and the Graceland reference, but it turns out he’s actually from Magnetic Island, which is five miles offshore of the city of Townsville in Queensland, Australia. Furthermore, this is his first country record, though not his first musical venture; he has previously spent some time in the world of blues and garage rock.

If you like what you’ve heard so far, you can get Dust & Gin from Amazon, iTunes, or, if you prefer a hard copy, from Mr. Hunn himself. If you need additional enticement, here’s one more song for the road:

 

Gary Hunn - Broken Lives Are Mended Here