- It’s about that time: Bands, if you can’t – or don’t want to – make it to SXSW this year, start getting your submissions ready for the third annual CXCW (Couch by Couchwest), March 10-16. Find submission details here.
- If you’ll be in the Cleveland area on June 22 and would like to move from the couch to someone’s porch, the 5th annual Larchmere PorchFest is accepting submissions until May 1.
- Wonderful CXCW alumnus Daniel Knox is playing a residency at the Hideout in Chicago, IL. For a highly interesting read, check out his pre-residency interview with ChicagoMusic.org.
- Spacehog – yes, the “In the Meantime” band – are preparing to release their first new album in twelve years, As It Is On Earth. They have a fundraiser project for the album, with part of the proceeds going to the David Lynch Foundation.
- On February 7, Patti Smith received the Katharine Hepburn Medal from Bryn Mawr College. The medal “recognizes women whose lives, work and contributions embody the intelligence, drive and independence” of the great feminist actress.
- Roots artist Frank Fairfield is Continue reading
You know the best thing to do on Christmas day? Stay home and watch horror movies. May I suggest choosing titles from this fine holiday-centric list?
But if you need a weightier excuse for foregoing Christmas activities than a Bartlebian “I prefer not to”, the Wind-up Birds have a suggestion (and the song is available at a “name your price” rate).
Or, if you can’t find it in your heart to be festive this year because some cold, selfish lover stole that heart and then tossed it like so much discarded wrapping paper, Daniel Knox has set his warm baritone to work on a love-torn carol some of you may recall from that foreign land known as “The ’80s”.
“Last Christmas” – Daniel Knox (Wham! cover)
It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.
In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.
I am pleased to have the king of sardonic heart taking part in this series. Sardonic heart? you ask. Yes, because while Daniel Knox will make you laugh – if your humor is of a certain darker inclination – if you dig further down, you will find deep and jagged truths … Continue reading
Oh, I’ve been waiting for this one. The sardonic Mr. Daniel Knox is bringing his unsettling cabaret songs to the Beachland Ballroom this Wednesday, April 11, when he opens for the Traveling Ladies’ Cello Society, a.k.a., Rasputina.
I was taken by Knox’s rockbottom warble and dancehall piano (and kazoo – don’t forget the kazoo) when I first heard him play Couch by Couchwest back in 2011. He graced the stage again at CXCW this year with a magical rendering of his ethereally menacing “Ghostsong”.
Incidentally, in addition to great albums like Evryman for Himself, Disaster, etc., Daniel has a new single – “To Make You Stay” (with the return of Akron son Ralph Carney on saxophone) b/w “Blue Car” – available at Bandcamp.
Wed, Apr 11 | 8:30 PM (7:30 PM door)
$15.00 adv / $17.00 dos
Ballroom | All Ages
You can also catch Daniel with Rasputina at these dates:
04.06.12 Buffalo, NY The Tralf Music Hall
… Continue reading
NTSIB friend and Couch by Couchwest (the internet-based answer to South by Southwest for the lazy and the poor) alumnus Daniel Knox and photographer John Atwood could use your help.
Songwriter/composer Daniel Knox and I were recently selected by the Byrd Hoffman Watermill Foundation to be artists in residence this fall at Robert Wilson’s Watermill Center in Watermill, NY.
Through the course of the residency, Daniel will expand, develop, and complete a long-form piece of music written and arranged for piano, voice, horns, strings, and percussion, based on my photography.
The residency will culminate in a premiere performance of the final piece alongside an exhibition of the integral photographs at the 92YTribeca, New York, NY on 26 January 2012.
Your support will “help cover production expenses for the exhibition: framing, printing, and equipment rental, accompanying musicians, publicity materials and costs.”
Atwood’s photographs have graced the covers of Knox’s Disaster and Evryman for Himself albums, and this further step in their collaboration is an exciting one. Check out the Kickstarter video below, then visit the site to see how you can help.
You climb the metal fire escape on this frigid, Chicago night, a little uneasy. The steps sway and clang under your feet while layers of paint and rusted metal disintegrate under your hand. You are halfway up when you make the mistake of looking down to check your progress. A pause as you close your eyes, grip the railing with both hands and whisper, “Oh please oh please oh please…” A deep breath, and you continue on.
You reach the door and sniff back some rogue snot before turning the handle. You step in to find the inside just as dark and cold as the outside. Darker. Except for a soft spotlight trained on a man and a baby grand piano. The bear of a man is dressed all in black, and his hands play across the ivories more delicately than you’d have expected. He watches you, grinning. His face is pleasant enough, but something about the grin is slightly unsettling, as if it will spread into a giant Mr. Sardonicus rictus at any moment.
“Watch your step,” the man warns casually, just before you feel age-old wooden slats begin to give way under your foot. … Continue reading