The Wind-up Birds: Talking Back All the Time

 

While we moan like owt then this good shop shuts
Well take the blame
No you don’t have the guts
While we moan like owt then a good shop shuts
We’d take the blame if we had the guts
For the money we never spent
The times we never went

This is how The Land, the first full-length album from Leeds, England-based band the Wind-up Birds, opens: with an indictment that blankets us all who have popped around to the nearest discount megastore in the name of convenience and saving a buck, then proceeded to moan about what a shame it is when a good locally-owned store is forced to close. You know right off that if The Land is going to leave you feeling anything, “comfortable” will not be among the emotional options.

The Wind-up Birds – named for Haruki Murakami’s novel The Wind-Up Bird Chronicle – have been playing together for nearly a decade, and perhaps it’s best that they waited so long to get their first full album together because this is a strong showing. While the intense “There Won’t Always Be an England” is the immediate favorite for me, I’d hasten to point out the greatness of tracks like “Nostalgic for….”, “No People Just Cutouts”, the first single “Cross Country”, and so on.

 

 

Songs like “Good Shop Shuts” – quoted at the opening of this post – and “There Won’t Always Be an England” are written at a local level, they translate easily to American ears and can make you feel both better and worse that the problems in your backyard mirror problems in the backyards of people an ocean away, and that it’s not just you who is fed up to the back teeth with blind jingoism.

 

 

And behind the words, a musical frontline that many might mark as “post-punk” but the band have dubbed “noisy pop”, “cos in our heads we are making pop music, songs that people can sing and dance to, just a bit noisier.” But the emotional outcome is much closer to punk than ABBA, tattered and angry, and by no means mindless or bubblegum.

 

 

Everything about this album is compelling. Eat it up.

 

The Wind-up Birds Official Website

The Wind-up Birds @ Bandcamp

The Wind-up Birds @ Facebook

 

Receiver: Ian Curtis Wishlist

Receiver is the debut album by Ian Curtis Wishlist, also known as Aaron Struble, of Springfield, Missouri. I found it while noodling around the internets looking for things to make my brain stop spinning while I made bar review flashcards (this will be a recurring theme in my life/posts until the end of July, just fyi) and I am here to tell you this is 1) deeply weird but also 2) really good.

I realize “he had me at hello” is a terrible cliche, but, well, he kind of did, or at least he had me at the first 30 seconds or so of Flutters, which you can watch the video for below. That beat is blunt. It’s arresting. It demands attention. I have sat through his record twice now, and the rest of it is equally compelling.

This video is less blunt, but I find that even though I’m kind of wondering what in the world is going on here, I don’t really need an explanation. I can enjoy it as a brief foray into WTAFville, which, much like Vitamin C, is something I feel one should have every day.
 

ian curtis wishlist - flutters

Video by Joshua Rogers of brokenmachinefilms.com
 

Another favorite from the record: emerald park i: awash in you
 

 
If you like it, Receiver is a free download at bandcamp, and there’s much more to be had at ICW’s Soundcloud. For example, this one which is called Flights, and is the work of both ICW and VΞRACOM:
 
VΞRACOM & ian curtis wishlist – FLIGHTS by ian curtis wishlist
 
And this one, which is called HWMY<3BHVS0.9 which I’m pretty sure translates to “How My Heart Behaves 0.9”:
 
HWMY<3BHVS0.9 by ian curtis wishlist

Kojo “Easy” Damptey: A Revolution Full of Uncertainty

 

Arriving in Hamilton, Ontario, Canada, to study chemical engineering at McMaster University, Kojo “Easy” Damptey noticed obvious differences between his new northern home and his birthplace of Accra, Ghana, Africa, like the overwhelming cold. But a perhaps more affecting difference he found was in the people.

“In Ghana there is a proverb that states ‘it takes a village to raise a child’, this is the driving force for most communities back in Ghana,” Damptey says. But in Canada, he found people kept to themselves, “black people would only interact with black people, Italians would socialize with Italians, etc.” Even something as simple as a ride on public transit, where most Ghanaians are open to personal interaction, became an illustration of social divides as most Canadians seemed hesitant to interact. (This is, at least, Damptey’s experience and points out that others have had different experiences, but I think most Canadians and Americans reading this find truth in his assessment.)

But Damptey found connections with like-minded people through his discovery of FruityLoops and MPCs (MIDI/music production centers). As he began to produce beats like those of the hip hop artists he had listened to in his youth – DMX, Nas, Tupac Shakur – he became involved with other musicians at his university, musicians who were playing instruments and touring. He was then inspired to teach himself piano, which Damptey says, “took years, but eventually I pulled through.”

Broadening his artistic skills and drawing on his hip hop influences as well as soul and reggae influences, Damptey began collaborating with other artists, including Kae Sun, whose Damptey-produced album Soliloquy album won Rap/Hip Hop Recording of the Year in the 2006 Hamilton Music Awards.

Now Damptey has self-released his own EP, The EP – available via Bandcamp and iTunes. An artist of strong social conscience, Damptey highlights issues of immigration, apathy, and a common factor he finds between the people of Ghana and the people of Canada, poverty and the struggle to find jobs and support families.

“All these issues are complex issues that are never discussed out in the open unless it affects someone we know. My aim is to bring these issues to the forefront so we can talk about it and hopefully find a way to deal with it in our society,” Damptey says. “I would like people to listen to the words, ponder over the words, and realize we are all connected in the world by the choices we make everyday.”

 

 

When first listening to The EP, I was struck by Damptey’s soulful approach to hip hop beats and the large amount of heart poured into the music, words, and vocals. The track “Africa” is easily my favorite on the ep, inspiring me to play it repeatedly the first night I listened.

 

 

Damptey’s future holds a collaboration with hip hop group Canadian Winter (Daylight Robbery, due out later this year), as well as a documentary centering on the efforts of Hamilton community organizations, agents and low-income leaders to provide a living wage for all Hamilton citizens.

 

Kojo “Easy” Damptey Official Website

Kojo “Easy” Damptey @ Bandcamp

Kojo “Easy” Damptey @ Twitter

 

Late Night Listening: Danny Fujikawa

Late Night Listening: This is what I’m putting on at the end of long days in a summer that is going to be chock full of long days. It’s also what I’m listening to while I’m making flash cards for bar review.

Some of it will be soothing, some of it will be weird. Some of it may be soothing and weird, since I’m into that kind of thing. In any case, I’m listening to it and I like it, so I’m going to share it with y’all.

Today in the category of soothing and also delightful: some new(ish) tracks from Danny Fujikawa, formerly of Chief, which represent one of his many on-going projects. These are rough mixes, but I’m fond of them anyway.
 
The newest one; one of the lyrics is True love is a lie, a sentiment which warms the cockles of my blackened heart:
 
True Love 2.1 by DannyFujikawa
 
This one is actually my favorite, shhhh, don’t tell any of the other songs. Also, I kind of wish I had a car so I could drive around with the windows rolled down and this tune turned up really loud:
 
Ballad of Prince Harry by DannyFujikawa
 
This one is heavier on the guitar, and, actually, just heavier in general. Don’t let the bouncy tune fool you, this is a sad song. (Click on the song title to get to the lyrics.) (GO TEAM LINER NOTES!)
 
The Gods Must Be Crazy by DannyFujikawa
 
Because tiny blackened heart or not, I’m also always on Team Nerds In Love:
 
Science Girl by DannyFujikawa
 
And finally, have some reverb-dusted choppy synths:
 
We Aren’t We In Love by DannyFujikawa

Deafheaven: Roads to Judah

Deafheaven was initially George Clark (vocals) and Kerry McCoy (guitar), and now includes Joey Bautista (guitar), Derek Prine (bass), and Korey Severson (drums). They are from San Francisco, and Roads to Judah is their debut album.

And oh, what an album it is, too. I guess technically their genre is metal, or hardcore, or something like that – I think I saw one description that referred to it as “metal sludge” – but all of those terms are either wholly inadequate or just wrong.

Roads to Judah is a lot of things, but mostly it is awesome, in the original sense of the word: both beautiful, and a little scary. It’s majestic. It’s orchestral, if the orchestra in question had listened to Metal Machine Music several times, meditated on it for a week, and then sat down to jam about their feelings.

Here is an example of what I mean. This is Violet, the first song on the record:
 

 

And in contrast, here is Tunnel of Trees, the last song:
 

 

And here is an excerpt from their SXSW 2012 set:
 

Deafheaven - "Language Games" @ The Bat Bar SXSW '12

 
For more information visit the Deafheaven official website.

Band photo by June Zandona.

Hella Better Dancer: Living Room

Hella Better Dancer is Tilly Scantlebury (Vocals/Guitar), Josh Cohen (Bass), Soph Nathan (Lead Guitar/BVs), and Chris O’Driscoll (Drums). They are from London, and Living Room is the dreamy, melancholy, low-fi masterpiece they recorded using just the internal mic on a laptop.

It is only about ten minutes long, but it is a very beautiful ten minutes.

This is the video for the first track, Brother:
 

Brother - Hella Better Dancer

 
This is After School, the second track on Living Room, which, you guys, this is a gem of a song. A dark, delicate gem, glimmering amid a pile of fallen leaves in a bruised post-rainstorm landscape:
 

 
And finally, here they are live and using regular mics, at Stop Look Listen at Native Tongue with Hands, which was one of their demos:
 
http://youtu.be/nSJ3ldZAmLo
 

They also have two other EPs out, Swimming and Please Stay Here; you can hear selections from those records at Soundcloud and the band website.

Upcoming shows:
May 11, Amersham Arms, London, UK
May 19, Power’s Bar, London, UK
May 21, Birthdays, London, UK
May 24, The Lock Tavern, London, UK
May 26, Spice Of Life, London, UK
Jun 10, Sebright Arms, London, UK
Jun 16, 93 Feet East, London, UK
Jun 29, Leefest 2012, Highhams Hill Farm, Warlingham, UK

Deathline: Ten of Clubs


This is 10 of Clubs, a song by Deathline, who are Jennie Werlemar (Vocals/Bass) and Kaoru Sato (Guitar/Programming). They are from London, and they can shred.

They also warm the cockles of the cold heart of your aging gothy correspondent. Major grinning at the computer screen and chair dancing happening here. I’m ready to dig my stompy boots and jingle-bell faerie skirt out of the back of the closet and go out on the town.

Make sure the volume on your computer is all the way up before you press play:

Deathline – Ten of Clubs by Bright Lights Management

They are also running a remix competition for this song on their Facebook, which will conclude on May 20th.

Soulsavers: Longest Day

 

The Soulsavers first came to my attention through their work with Mark Lanegan on It’s Not How Far You Fall, It’s The Way You Land, and I was bowled over from my first listen of “Revival”.

(Do this: In the evening, after dusk, when the sky is deep blue, just before black, turn out every light and turn on “Revival”. Turn it up loud enough to fill the room and immerse yourself in it as if it was the sea. Feel it push and pull you, gently drift you, threaten to smash you against the jagged rocks just off the coast. Do nothing but listen, let it turn into a meditation. And when the song is over, slowly emerge back into the world, like walking out of the sea onto the sand. Feel a little water-logged, a little battered, with salt in your mouth and grit in your hair, but somehow cleansed)

The band have also put Richard Hawley, Will Oldham, Gibby Haynes, Mike Patton, and Jason Pierce in the singer capacity. This time around, with The Light the Dead See, the Soulsavers are collaborating with Depeche Mode’s Dave Gahan – who is a self-professed Soulsavers fan and “Lanegan junkie”. Take a listen to “Longest Day”.

 

Soulsavers – Longest Day by Cooperative Music

 

By all accounts, the recording was an effortless and magical experience, even despite Soulsavers’ head man Rich Machin being hit hard with a case of tinnitus shortly after the process began. The end result will be released May 22nd.

 

Soulsavers @ Facebook

Soulsavers @ Twitter

A Good Read, a Good Listen, and a Good Drink: The Parlor Soldiers

 

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


The Parlor Soldiers’ album When the Dust Settles – with some songs that play like a wink, some that play like a punch, with all sorts of intriguing stories in between – has been one of the first real delights of 2012 for me. (If you haven’t yet, visit their Bandcamp site and be charmed by the album yourself. And check out their tour dates! The more shows you attend, the greater chance I have of seeing them up north sometime.) So, I’m very happy to have Alex, Karen and Dan participate in our series.

 

 

Alex Culbreth – Book: Post Office by Charles Bukowski (very funny novel from one of my favorite writers)

Album: John Prine (no album in particular, he’s a great songwriter and there’s lots to learn from him)

Drink: Gin & Tonic (because I love me some old man drinks!)

 

Karen Jonas – Book: Go Dog, Go – I used to read real books but now I have babies at home.

Album: Gillian Welch, The Harrow & The Harvest – I’ve been listening to this one for a few months, such great americana imagery.

Drink: Water with no ice – though the boys are always trying to get me to drink something else

 

Dan Dutton – Book: The Monkey Wrench Gang by Edward Abbey; as the author says “enjoy, shipmates, enjoy

Album: 40 oz. to Freedom by Sublime because Eric can’t sing either.

Drink: Unearthly from Southern Tier Brewery because it brought me back to good beer.

 

The Parlor Soldiers – “Shallow Grave”

 

The Parlor Soldiers @ Bandcamp

The Parlor Soldiers @ Facebook

The Parlor Soldiers @ ReverbNation

Mark Lanegan Band: Blues Funeral

 

It seems we turned a few people on to their new favorite thing the last time we posted about Mark Lanegan. Well, get ready to get happy again, because the Mark Lanegan Band (the heavier, grittier outfit with whom Lanegan recorded 2004’s Bubblegum – which includes one of my favorite of favorite songs, “Methamphetamine Blues”) has a new album coming out next week, Blues Funeral. Here’s a taste with “The Gravedigger’s Song”.

 

 

If you just got as excited as I did when I first listened to that song, you can listen to a stream of the full album at KEXP (U.S.) or Mojo (International).

Blues Funeral will be released on February 6, and the touring begins the next night.

7 Feb New York, NY – Bowery Ballroom
9 Feb Los Angeles, CA – Echoplex
24 Feb Tromso, SE – Aurora Rock @ Kulturhuset
25 Feb Oslo, NO – Rockerfeller
26 Feb HELSINKI, FI – The Circus
28 Feb GRONINGEN, NL – Oosterpoort
29 Feb AMSTERDAM, NL – Paradiso
1 Mar EINDHOVEN, NL – Effenaar
2 Mar ANTWERP, BE – Trix
3 Mar Antwerp, BE – Twix
4 Mar BRISTOL, UK – Academy
5 Mar MANCHESTER, UK – Academy 2
7 Mar DUBLIN, IE – Academy
8 Mar BELFAST, NI – Mandela Hall
9 Mar GLASGOW, UK – ABC
10 Mar LEEDS, UK – Cockpit
12 Mar BIRMINGHAM, UK – Library
13 Mar LONDON, UK – Shepherds Bush Empire
14 Mar COLOGNE, DE – Gloria
15 Mar HAMBURG, DE – Gruenspan
17 Mar COPENHAGEN, DK – Amager Bio
18 Mar BERLIN, DE – Columbia Club
19 Mar WARSAW, PL – Proxima
20 Mar PRAGUE, CZ – Lucerna Music Hall
22 Mar VIENNA, AT – Arena
23 Mar Zurich, Switzerland – M4Music
24 Mar BOLOGNA, IT – Estragon
25 Mar MILAN, IT – Alcatraz
27 Mar BILBAO, ES РKaf̩ Antzokia
28 Mar SANTIAGO, ES – Sala Capitol
30 Mar PORTO, PT – Hard Club
31 Mar LISBON, PT – TMN ao Vivo
1 Apr MADRID, ES – Sala Kapital
2 Apr BARCELONA, ES – Sala Bikini

 

Mark Lanegan Official Website