It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.
In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.
The Parlor Soldiers’ album When the Dust Settles – with some songs that play like a wink, some that play like a punch, with all sorts of intriguing stories in between – has been one of the first real delights of 2012 for me. (If you haven’t yet, visit their … Continue reading
“You’re a little bi-polar,” he tells her, “and you get on my ass about drinking my liquor and smoking too much grass.”
She parries. “You know, you’re no Johnny Cash.”
“Woman, what’d you say?”
“I said, you ain’t the Man in Black, and I won’t be treated this way.”
But there is a wry, knowing edge in each of their voices that melts into affection by the end of their argument.
Crazy by The Parlor Soldiers
This argument is the third track, “Crazy”, from the Parlor Soldiers’ album When the Dust Settles, and showcases the essence of what makes their songs really work (and if you click up there, you can download “Crazy” for free). Backed by simple, slim but solid Americana-based arrangements, they are playful without coming off as if they are trying to hard to show how clever they are, and they are real without being precious. And their voices are so handsome that you want to date them both.
Forming in Fredericksburg, Virginia, after Alex Culbreth asked Karen Jonas to sing at some gigs with him, the two, each who had already established themselves as solo artists, added upright bass (played … Continue reading