The Captain is Dead, Long Live the Captain

I’ll admit that it was only very recently that I began getting into the music of Captain Beefheart (a.k.a Don Van Vliet) and his Magic Band after realizing how many of the musicians I love have been influenced by it. Everyone from Greg Dulli to Joe Strummer to, well, practically everyone I’ve ever listened to and really enjoyed. The prize for most Beefheart tributes paid by one band may well go to the Black Keys who have covered four of Beefheart’s songs, including Beefheart’s own cover of “Grown So Ugly” (as discussed in this post).

Van Vliet passed away Friday morning, at the age of 69, due to complications from Multiple Sclerosis. For me, it feels fitting to pay my tribute to the influential and singular giant by way of the band who made me most familiar with his work before I began delving into the source itself. So here are the rest of those Black Keys covers along with the Beefheart originals.

“Her Eyes are a Blue Million Miles” is a touching song from an artist who was better known for freaking people out. Here’s a live rendition from 1978.

[youtube=http://www.youtube.com/watch?v=Dd2L1lkPaP8?fs=1]

Then the Keys turned it into a freakout of their own.

[youtube=http://www.youtube.com/watch?v=VBbKHJO3ygg?fs=1]

“Here I Am, Here I Always Am” was one of Beefheart’s classic blues-inflected stompers.

[youtube=http://www.youtube.com/watch?v=wIuAmzTPdYY?fs=1]

So it seems tailor-made for the Keys in retrospect.

[youtube=http://www.youtube.com/watch?v=ab9VGfRpOoU?fs=1]

“Blue Million Miles” was not Beefheart’s only foray into love songs, of course, and just as touching was his song “I’m Glad”. (This version is a demo from 1966, and it’s much more affecting without the doo-wop backing vocals of the final version on Safe As Milk.)

[youtube=http://www.youtube.com/watch?v=DRmVi8kOJ8M?fs=1]

“Glad” may be the best of the Black Keys’ Beefheart covers with the emotional power of Dan Auerbach’s vocals being on par with Beefheart’s own rugged delivery.

[youtube=http://www.youtube.com/watch?v=QQ7N_2mPEUg?fs=1]

I have other Beefheart favorites that stray farther away from Beefheart’s blues roots toward his experimental apex, but “I’m Glad” seems like the most fitting way to send the Captain out.

Soft Speaker/HotChCha/mr. Gnome at the Beachland Ballroom, Cleveland, OH, 12.18.1010

Somewhere between home and the Beachland, I managed to lose one of my camera batteries, but I did manage to attain a concert-going companion (NTSIB friend Joy) with a camera phone. We didn’t get any shots of Soft Speaker, but we do have some fittingly atmospheric pictures of HotChaCha and mr. Gnome.

Soft Speaker

This Chicago quartet, whom my brain persisted in thinking of as the Red Guitar Brigade due to the color of all their string instruments, weaves in and out of styles, sometimes moving from a more funked-up groove to treble-heavy indie rock within the same song. And it may just be my background playing up things that weren’t there, but it seemed at times that the vocals and lyrics were influenced by a dusting of late-’90s goth. While it is easy to hear how a track like “I Stand To Lose My Fortune, Easy” can grow quickly on the listener, Soft Speaker’s encompassing style is perhaps too much for a first-time listener to process at a live show, and they never seemed to spark with the audience.

HotChaCha

HotChaCha are swiftly becoming an NTSIB favorite, bolstered heavily by their energetic live shows. As most live reviews of the band will mention, much of this is thanks to frontwoman Jovana Batkovic and her complete lack of inhibition or pretension. She will engage the audience, whether they like it or not – and they usually end up liking it. Especially the men who gather up around the front of the stage, eagerly anticipating Batkovic’s eventual leap into the audience to dance through the crowd, sliding up against various audience members as she goes. In an era when most live performances will consist of a group of shy hipsters standing still behind their mics, not making much eye contact with the crowd, Batkovic definitely stands out as she lets the music take her, using her mic and/or mic stand as a phallus, crawling between the legs of her bandmates, making eye contact with any and everyone and folding herself backwards on the stage.

But it is Mandy Aramouni, Heather Gmucs and Roseanna Safos who perform the massive springboard from which Batkovic launches. Aramouni’s atmospheric guitar and keys are never in danger of becoming lighter-than-air partially thanks to the heavily solid low end held down by Gmucs and Safos. And while most eyes tend to be on Batkovic, the rest of the band is giving their all, Aramouni rocking and headbanging, Gmucs prowling across the stage and Safos propelling everything with her power hitting.

At one point Saturday night, Batkovic asked the crowd, “Who wants to dance?” She then proceeded to pull about ten audience members on stage – including Joy – for a dance party, which she soon left for the floor to let the stage dancers take the spotlight while she took a rest from being the center of attention. Audiences will often reflect the attitude of the band they’re seeing, and while those shy indie hipsters have shy hipster audiences, HotChaCha’s audience is one of the smilingest crowds you’ll see.

mr. Gnome

I suppose it is a common cry among fans and bloggers who concentrate on independently-produced music, but every time I listen to mr. Gnome, I ask, “Why isn’t this band huge yet?” Finally seeing them perform live (after having failed to make it happen three times previous), this question has only grown louder in my mind.

Nicole Barille and Sam Meister eased the crowd into things with the soothing, pretty “Titor” before plunging directly into the bounce beat of “Plastic Shadow” (one of my favorites). When listening to mr. Gnome recordings, I’m usually too caught up in the atmosphere, the feeling of their songs to notice the skill involved. That probably sounds counterintuitive to some of you, but I always latch onto emotion in music before I get around to pesky things like skill or even lyrics. Being able to see Barille and Meister work their instruments Saturday night brought my levels of respect for them from merely high to through-the-roof. While Meister is a power hitter of epic proportions, he’s also precise and complex, his syncopations and fills far beyond the skill of most rock drummers.

Most press on Barille focuses on her voice as she plays between low roars, tenor howls and pixie trills, but her guitar work is more than just a backdrop to her vocals. Barille moves easily between the heavy power chords and experimental atmospherics you would expect when listening to mr. Gnome’s music, but she’s also capable of intricate fretwork, which she displayed on a brutal “Deliver this Creature”. Oh, and she also belts out the vocals like a hellion live.

The playlist for the night concentrated on Deliver this Creature and Heave Yer Skeleton material, ending with “Three Red Birds” from the recent Tastes Like Magic EP. They also broke out a couple of new babies from their forthcoming album, which land on the more head-banging end of the Gnome spectrum. Check out this footage from the omnipresent kingofthecastle7 of their new song “Manbat”.

[youtube=http://www.youtube.com/watch?v=CzNHGgpKX1c?fs=1]

Notable Shows in the Greater Cleveland Area + HotChaCha

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Fri, Dec 17| 8 PM (7 PM door)
    The Horse Flies
    Hiram Rapids Stumblers
    $13 adv / $15 dos
    Ballroom | All Ages
  • Sat, Dec 18| 9 PM (8 PM door)
    Mr. Gnome
    Hot Cha Cha
    Soft Speaker
    $8
    Ballroom | All Ages
  • Sat, Dec 18| 9PM (8 PM door)
    Music Saves / Square Records 7th Annual Holiday Get Down
    Cloud Nothings
    Herzog
    Low in the Sky
    Relaxer
    $5
    Tavern | All Ages
  • Thu, Dec 23| 8:30 PM (8 PM door)
    Beachland Home for the Holidays

    Ballroom
    Bears – 12 AM
    Afternoon Naps – 11 PM
    NIGHTS – 10 PM
    Diamonds & Pearls – 9 PM

    Tavern
    Roue – 12:30 AM
    Harriet The Spy – 11:30 PM
    Kill the Hippies – 10:30 PM
    Filmstrip – 9:30 PM

    $8
    Ballroom & Tavern | All Ages

Grog Shop

  • Sat, Dec 18| 9 PM (8 PM doors)
    Red, Black & Green Xmas
    presented by Cleveland Tapes & Fair Trade Future, hosted by MuAmin Collective
    featuring
    The Mag-Nif
    Keyel
    San Goodee
    LMNTL
    Navy Blu
    Ereact
    Moriarity
    DJ Ceven
    $5 adv / $8 dos
  • Sun, Dec 19| 8 PM
    Tinamou
    Lowly, The Tree Ghost
    Nick Zuber Band
    Rebekah Jean
    $5
  • Wed, Dec 22| 8 PM
    Hip Hop Gives Back 3
    Soul Kryziz
    D Roof
    Caine
    Crazy8TheGreat featuring Cha~Cha, Mookie Motonio & Split Personality
    $5 or free w/ non-violent toy donation
  • Thu, Dec 23| 10 PM
    Ace & The Ragers
    The Not So Good Ol’ Boys
    Lords Of The Highway
    $8

Now That’s Class

  • Sat, Dec 18| 9 PM
    Koffin Kats
    Rockabye Ransom
    Scoliosis Jones
    $8
  • Wed, Dec 22| 9 PM
    Weakness
    Trees Understand Me
    Two Hand Fools
    Setbacks
    $5 donation

Musica

  • Fri, Dec 17| 10 PM
    Square Records/Music Saves 7th Annual Holiday Get Down
    Low in the Sky
    Relaxer
    Cloud Nothings
    Herzog
    $5
  • Wed, Dec 22| 8 PM
    Black Danielz
    Raw Materials
    PM 317
    $5

Happy Dog

  • Sat, Dec 18| 9 PM
    Party of Helicopters
    Founding Fathers
    Sun God
    Octolope

The magnificent women of HotChaCha will not only be opening for mr. Gnome tomorrow night in one of the most awesome local match-ups possible, but they’ll also be playing the Grog Shops X-mess show on Christmas day, along with Megachurch, CLOVERS and Born of the Yeti. My kind of fucking Christmas.

[youtube=http://www.youtube.com/watch?v=1-OBIaaoQlI?fs=1]

mr. Gnome Return Home

Now that the news of the Black Keys move to Nashville has been officially announced, I can christen mr. Gnome as my favorite-local-band-that-is-still-local*… though, as seems to be the way of things, this will probably precipitate Nicole Barille and Sam Meister’s move to distant lands. I’d like to apologize to all the other mr. Gnome fans in advance.

But until then, we have the chance to enjoy them here at home this Saturday when they headline a show at the Beachland Ballroom with another band of local awesomeness, HotChaCha, and Soft Speaker from Chicago. Our friend Nate Burrell was kind enough to share some beautiful photos with us of mr. Gnome’s recent show in St. Louis, Missouri.

And here’s some footage from their recent show in Tucson, Arizona:

[youtube=http://www.youtube.com/watch?v=8DZlRqrZvK8?fs=1]

mr. Gnome Official Website
HotChaCha @ Exit Stencil Recordings
Soft Speaker Official Website
The Beachland Ballroom


*For the record, I begrudge the Black Keys not one bit for their move, am glad they stayed in Ohio as long as they did and am really happy for them and excited for all the opportunities they have now.

photo copyright Nate Burrell – taken for KDHX Media

Rock ‘n’ Roll Photog: Christmas Music

This week, Jennifer illustrates one of the great swaths of music where her taste and mine definitely do not overlap by putting together a compendium of favorite Christmas tunes, both profound and profane.

(I’m sick to death of Christmas music [and hate “Grandma Got Run Over By A Reindeer” with a passion]… but I love Dean Martin’s defining rendition of “Baby, It’s Cold Outside”.)


There are a lot of things I genuinely love about the winter holiday season: my city dressed in her shiniest lights; the tiny, tiny children dancing in the Nutcracker who can’t really dance yet and just wave at their parents; and Christmas music.

Yes, really. Not all of it, mind you; I have something of an allergy to any and all renditions of Santa Baby and Baby, It’s Cold Outside, as well as most of the wretched sappy seasonal dreck on the radio. The following is a round-up of my favorite seasonal tunes, presented in no particular order, and interspersed with festive seasonal pictures from northern Manhattan.

All I Want for Christmas Is You, My Chemical Romance: Or, as my sister and I like to call it, All I Want for Christmas Is (Your Liver) . I am not quite sure how he managed it, but somehow Gerard Way made this song menacing, the kind of thing you would listen to while contemplating how to have someone (over) for holiday dinner with some fava beans and a nice Chianti. Needless to say, I love it and listen to it year-round.

Angels We Have Heard On High, The Family Force 5 Christmas Pageant, Family Force 5 : The sweet Georgia crunk version of this song; includes breakbeats and the line put your wings in the air like you just don’t care. I don’t really have to say anything else, do I?

IMG_4938

Christmas Drag, The Brobecks: Have the elves failed to bring you the object of your affections again? Then this is the song for you. It’s another one I listen to year-round because I just like it as a song, mostly for the thudding guitars. The Brobecks’ non-Christmas music is ALSO delicious; check it out if you like intelligent pop tunes.

St. Stephens Day Murders, from Bells of Dublin, The Chieftains/Elvis Costello: I was baffled by this song the first time I heard it, partially because I had no idea what St. Stephen’s Day had to do with anything, and partially because Elvis Costello mumbles. But really if you have ever had About Enough Family For One Day, Thank You, you too will sing along as he growls through and it’s nice for the kids when you finally get rid of them (RID OF THEM) in the St. Stephen’s Day Murders.

IMG_4966

Carol of the Bells, from X Christmas, August Burns Red : I was a little bit wary of the whole collection at first, because hardcore Christmas carols, that sounds like it could be unfortunate. I plunged in, though, and this track, an instrumental version of this song, immediately became one of my favorite pieces of music, just for pure listening pleasure. There are shredding guitars and power-driving hardcore drums – you will want to bang your head – and they slam through the song with stunning and exacting precision, not wasting a single note.

Fairytale of New York, The Pogues: A classic, and for good reason. Shane McGowan and Kristy MacColl capture the two sides of New York in midwinter: the wind does go right through you, but the bells do also ring out. It’s what’s running through my head when I’m thinking cranky thoughts about That Stupid Tree in Rockefeller Center, and also when I’m navigating hushed, snowy streets.

Do You Hear What I Hear?, Bob Dylan: I’ve already told you about his version of Adeste Fidelis, which continues to be a thing of beauty and a joy forever. This is another track off the Christmas record he released last year, and is just delicious. There is nothing sappy or overwrought about his delivery, it’s just him and his scratched up voice, singing the song. It’s like a refreshing glass of cold water after too much over-sweet eggnog.

IMG_4974

Oh Holy Night, from Christmas With Weezer, Weezer: I have four different versions of this song – The Chieftains, Harry Connick, Jr,, Sufijan Stevens, and this one – and Weezer’s version is currently my favorite. The guitars are pure Weezer, alternating between delicate picking and a big fuzzy roar, and Rivers Cuomo soars over them, giving the song both some real punch and a whole new life, in the process.

Grandma Got Run Over By A Reindeer, Elmo and Patsy Shropshire: The Greaseman, a DJ at DC 101 back in the Dark Ages when I was in high school, used to kick off every Christmas season with this song, and to this day it just doesn’t feel like Christmas until I’ve heard it on the radio. Or, as happened last year, heard someone singing it in the elevator in the subway.

IMG_4863

And finally, some notable compilations and collections:

Excelsis: The Box Set , from Projekt: Three CDs of gothic/darkwave interpretations of traditional carols and songs. I bought the first one all the way back in 1995, and then lost it along the way. I was hunting for a digital download when I discovered they made two more, and decided to get all three. (They’re on sale!) They’re both mellow and delicately beautiful, and good to have on as quiet company for other tasks.

Songs for Christmas , Sufijan Stevens: There are five, count them, FIVE cds in this set. That is a lot of Christmas music, even for me, but if you dig his voice (I do) and his indie sensibility, it’s one-stop shopping for soothing respite from Top 40 irritations.

Xmas 11, by The Yobs, the seasonal alter ego of The Boys. They have several Christmas records; I just happened to stumble over this particular one in a record store on Bleeker Street in 1999. It is a collection of the most brilliant perversions of Christmas songs ever recorded. I would quote lyrics, but they’re unsuitable for a family newspaper blog. You can get a general idea here, start with “Oh Come All Ye Faithful”, and I’m really totally serious, these are NOT SAFE FOR WORK and you should send small children and anyone with delicate sensibilities out of the room. You may also have to consciously remind yourself not to sing their version of Guantanamera out loud in public.

— Jennifer

Bits: Roky Erickson & the Black Angels, Robert Pollard, the Black Keys, the Low Anthem

  • Roky Erickson and the Black Angels: Night of the Vampire is now on Pitchfork’s One Week Only.
  • Paste shares the details on Robert Pollard’s latest batch of releases. Solo album on 1.18, Lifeguards on 2.15 and Mars Classroom on 3.29.
  • The Black Keys returned to the KCRW studios yesterday. You can watch or listen here.
  • If you haven’t yet grabbed the free download of “Ghost Woman Blues” from the forthcoming Low Anthem album, Smart Flesh, you can hear it while watching their beautiful video.

Nicole Atkins: Take All I Can Get Until I’m Dirt and Bones

They say you shouldn’t judge a book by its cover, but ‘they’ are generally full of shit. A study of the cover for Nicole Atkins’ forthcoming album, Mondo Amore, will give you a good sketch of what’s inside. New cozying up with old, light defined by dark, the rugged and the ethereal, beauty borne of unexpected juxtapositions.

Both lyrically and sonically, Mondo Amore is dramatic. The sweep of Atkins voice is often cinematic, and she is backed by instrumentation that often combines the more theatrical heights of ’60s pop and soul productions with the guitar-centric heart of ’70s rock. Sometimes the drama teeters on the edge of being overwrought, but Atkins generally saves herself with strong but modest musical sensibilities (I find hooks from this album, like the chorus of “Cry Cry Cry”, popping into my head even after I haven’t listened to the album for a couple of days) and those killer pipes.

Atkins is at her best when she leans more toward rock than pop, and the first track, “Vultures”, is the head-and-shoulders-above-the-rest stand-out on this album, its dark and dirty grooves crashing against the shore of Atkins vocals as they wrap around images of greed and decay.

Mondo Amore drops January 25 February 8, and Atkins hits the road again in February, supporting Cotton Jones.

Nicole Atkins Official Website

Notable Shows in the Greater Cleveland Area

Shows worth checking out this week in and around Cleveland:

The Beachland Ballroom & Tavern

  • Fri, Dec 10| 9 PM (8:30 PM door)
    Whitey Morgan & The 78’s
    California Speedbag
    The Lawton Brothers
    $7
    Tavern | All Ages
  • Sat, Dec 11| 9 PM (8 PM door)
    Justice Rocks! Benefit for Community Shares
    Founding Fathers
    Madame & The Moist Towelettes
    Wooly Bullies
    Crooked River Blues Band
    $10 Donation
    Tavern | All Ages
  • Sun, Dec 12| 8 PM (7 PM door)
    Bill Kirchen’s Honky Tonk Holiday Show
    Hillbilly Idol
    $15
    Ballroom | All Ages
  • Wed, Dec 15| 8:30 PM (8 PM door)
    The Modern Electric
    The Lighthouse & The Whaler
    Humble Home
    $5
    Tavern | All Ages
  • Fri, Dec 17| 8 PM (7 PM door)
    The Horse Flies
    Hiram Rapids Stumblers
    $13 adv / $15 dos
    Ballroom | All Ages

Grog Shop

  • Sun, Dec 12| 8 PM
    Uptowne Buddha
    E Little
    CG
    Jali
    $5

Now That’s Class

  • Sat, Dec 11| 9 PM
    Viva Le Vox
    Patrons of Sweet
    Exploding Lies
    Gunfire Getdown!
    $5 donation
  • Thu, Dec 16| 9 PM
    HR Human Rights
    Frank & Jesse
    Fangs Out
    $8

Happy Dog

  • Sat, Dec 11| 9 PM
    Brian Olive
    The Guitars
    CLOVERS

House of Blues

  • Fri, Dec 10| 9 PM (8 PM doors)
    Robert Randolph & The Family Band
    Winslow
    $22 GA/$35 Balcony

Center Court (Barberton)

  • Sun, Dec 12| 2 PM
    Pirate Jenny Benefit Concert
    2:00 Shivering Timbers
    3:00 Tofu Fighters
    4:00 Mike Lenz
    5:00 Misery Jackals
    6:00 Mo’ Mojo
    7:00 Blonde Boy Grunt
    8:00 First Offense
    9:00 Missile Toe
    10:00 The Woovs
    $10