Nicole Atkins/Booker T. Jones/The Black Keys, White River State Park, Indianapolis, IN, June 10, 2011

I am envious of everyone who was able to attend this show – Booker T. Jones and the Black Keys!? Are you freaking kidding me!? – but we are fortunate enough to have this great review and fantastic photos from Jessi Smith. Thanks so much, Jessi.

 


 

 

As I type this The Black Keys are in the midst of their tour of Canada, where they seem to get a lot more recognition than around here. They get invited to perform at Canadian awards shows, unlike here where they have to accept their Grammy’s during the pre-show. America is coming around though. Less frequently am I met with blank stares and well meaning corrections of, “Do you mean the Black Eyed Peas?” when I mention their name. However, with shows like the one I went to in Indianapolis on June 10th under their belts, they’re going to be household names before you can say “That’s not how you say Auerbach”. Then all the hipsters can hate them for selling out, which I won’t mind because the fewer faux fan douchebags that like them the better.

 

 

A $5 skip the line pass and a GA ticket. That’s all it took to set in motion what would be the best concert I’d ever attended. The competition for that title isn’t light either, not only had I seen The Black Keys in 2010 but, Bob Dylan and B.B. King had also given me shows to remember. The weather was perfect, a nice breeze blew and I was pressed against the barrier directly in front of center stage, nothing between me and the band but a one foot patch of grass. The show opened up with Nicole Atkins and the Black Sea, who played a set that was lovely and was enjoyed. Next up legendary Booker T. Jones who charmed me and made me feel more than a little ashamed that I’d initially been a bit disappointed that Cage the Elephant wouldn’t be opening for this show. I was an ungrateful and uneducated fan who won’t ever make that mistake again.

 

 

With the backbeat of GZA’s “Liquid Swords” playing, Dan and Pat calmly walked out and took their places. After the customary “We are The Black Keys from Akron, Ohio” they proceeded to do what they do. “Thickfreakness” came first as the opener as expected. I hope that never changes. It’s a constant in the Black Keys shows that makes me feel like a ground floor fan. They did the “Stack Shot Billy” / “Busted” back-to-back that was beyond words. The energy they put into “Busted” exploded after well built tension and extended riffs.

 

 

We also got a special treat. About midway through the show Dan announced that they were going to do something a little different. With an almost giddy smile he told us that they’d be having Booker T. join them for a couple songs. As they played “Ten Cent Pistol” with Booker, the boys had us hanging onto every note. The smooth line, “…the couple screamed but it was far too late, a jealous heart did retaliate.” was followed by the sudden blackout of every light and complete silence from the band for what seemed like forever. The anticipation boiled over and at just the right moment they burst back and blew minds. Another little treat came during “Everlasting Light” when a giant disco ball rose from the stage and made the place positively twinkle. This isn’t a band where you expect that kind of thing and I’m not gonna lie, my fangirl came out and I loved it. It wouldn’t be the first appearance of my fangirl, what with my front and center position and Dan’s frequent trips to the edge of the stage (where I’m certain we made eye contact… just throwing that out there) All together they played nearly 20 songs and still I didn’t want it to end. They encored with “Sinister Kid” and “Your Touch”, then bade us goodnight.

 

 

And here I am, still talking about it.

 

Bits: Nicole Atkins, The Meat Puppets, The Twilight Singers, The Black Keys, A Place to Bury Strangers

  • Nicole Atkins will be playing a live acoustic session and chatting on livestream Wednesday, 1.19, at 1:30 PM ET/10:30 AM PT.
  • The Meat Puppets will be releasing their new album, Lollipop, in April, Paste reports. Their line-up now includes Shandon Sahm, son of Texan multi-instrumentalist Doug Sahm, on drums.
  • The Twilight Singers’ upcoming album, Dynamite Steps, is available for pre-order at Sub Pop. The pre-order entitles you to stream the album online immediately, and if you pre-order by 2.15, you’ll receive two non-album tracks.
  • Though they’ve had to cancel their Australia/New Zealand tour and part of their European tour, the Black Keys juggernaut rolls on with an appearance on Austin City Limits airing 1.22 on PBS, in a split episode with Sonic Youth. (The Keys’ appearance was taped about three months ago. I am very excited about this, having hoped for a Keys ACL for a long time now.)
  • A Place to Bury Strangers will hit the road again this spring, including SXSW gigs where they will premiere material from their forthcoming, as-yet-untitled album. These guys are amazing live.

    THU 3/10 – ATLANTA, GA – Masquerade*

    FRI 3/11 – DURHAM, NC – Motorco Music Hall*

    SUN 3/13 – DENTON, TX – 35 Conferette Festival*^

    TUE 3/15 – SAN ANTONIO, TX – Korova*

    WED 3/16 – AUSTIN, TX – SXSW

    THU 3/17 – AUSTIN, TX – SXSW

    FRI 3/18 – AUSTIN, TX – SXSW

    SAT 3/19 – AUSTIN, TX – SXSW

    SUN 3/20 – HOT SPRINGS NATIONAL PARK, AR – Valley of the Vapors

    MON 3/21 – HOT SPRINGS NATIONAL PARK, AR – Valley of the Vapors (pedal workshop)

    TUE 3/22 – OXFORD, MS – Proud Larrys*

    WED 3/23 – GREENVILLE, SC – The Handlebar*

    THU 3/24 – BALTIMORE, MD – Ottobar*

    *with Hooray for Earth

    ^with Dan Deacon, !!!, How to Dress Well & Local Natives

Speaking of APTBS, they’ve treated us to a tale of hopscotch gone awry with the video for their remix of Holy Fuck’s “Red Lights”, directed by Thomas Smith as a gift to APTBS.

Holy Fuck – Red Lights (A Place to Bury Strangers Remix) from Spool on Vimeo.

Nicole Atkins: Take All I Can Get Until I’m Dirt and Bones

They say you shouldn’t judge a book by its cover, but ‘they’ are generally full of shit. A study of the cover for Nicole Atkins’ forthcoming album, Mondo Amore, will give you a good sketch of what’s inside. New cozying up with old, light defined by dark, the rugged and the ethereal, beauty borne of unexpected juxtapositions.

Both lyrically and sonically, Mondo Amore is dramatic. The sweep of Atkins voice is often cinematic, and she is backed by instrumentation that often combines the more theatrical heights of ’60s pop and soul productions with the guitar-centric heart of ’70s rock. Sometimes the drama teeters on the edge of being overwrought, but Atkins generally saves herself with strong but modest musical sensibilities (I find hooks from this album, like the chorus of “Cry Cry Cry”, popping into my head even after I haven’t listened to the album for a couple of days) and those killer pipes.

Atkins is at her best when she leans more toward rock than pop, and the first track, “Vultures”, is the head-and-shoulders-above-the-rest stand-out on this album, its dark and dirty grooves crashing against the shore of Atkins vocals as they wrap around images of greed and decay.

Mondo Amore drops January 25 February 8, and Atkins hits the road again in February, supporting Cotton Jones.

Nicole Atkins Official Website