Yes, the classic one, written by Phil Spector, Jeff Barry, and Ellie Greenwich and made famous by the Ronettes. But I promise you’ve never heard it quite like this, i.e. as if the person singing it – Frank Iero, of My Chemical Romance and LeATHERM0UTH – might be having both heart and throat destroyed.
It is creepy and beautiful and I love it.
BLVCK CEILING and Jenna Garcia have come together to remix (remake?) Feel So Close by Calvin Harris, and their version, which features her crystal clear voice winding through their dark fuzzy noise, is way more interesting than the original.
The lost album is lost no more.
Conventional Weapons is composed of the 10 songs My Chemical Romance made – and shelved – in the space between The Black Parade and Danger Days. I titled this post “Conventional Weapons (to date)” because they’re eschewing a traditional album release and instead putting the songs two at a time over the course of several months, and so far only four have been released. Two more will emerge in mid-December, and the last four will surface in early January and February.
Not going to lie, this is maddening.
I want the whole thing, all of the songs, and I want it right now, so I can lie down on my kitchen floor with my iPod and crank it up and plunge in.
But I cannot have it, so I must be patient, and absorb them as they arrive.
So far my reaction is: This is very interesting.
The songs contains their evolution, as a band, and are an aural fork in the road, the point where The Black Parade finally shambled to a halt, and when it came time to choose their adventure, they walked briefly down a simpler (and so far, … Continue reading
Wölfbait is a sonic sledgehammer-steamroller, heavy experimental noise that walks the fine but bright line between deeply satisfying and painful to listen to; and is for anyone who has ever listened to Metal Machine Music and thought This needs to be faster and should also have some echoey howling and shouting and more weird screeching noises.
Other notes: they do interesting things with feedback, and their drums are steady and powerful but not as pounding and punishing as some hardcore drums can be.
Gasp (Grey Earth) by Wölfbait
Aftertaste by Wölfbait
The Dirty Nil’s summary of themselves on bandcamp is The Dirty Nil play rock and roll, and, you guys, that’s an accurate statement. They sound like a dive bar: loud and a little dirty.
Little Metal Baby Fist is the A-side from their most recent single, which I picked because I can almost see the circle belling out and the pit forming before they even get through the first chord. I would totally wade into the fray and put my arms up to bounce sweaty dudes away from me while scream-singing along to this song.
Little Metal Baby Fist by The Dirty Nil
I can also recommend the B-side, Hate is a Stone (slightly heavier, sounds like stewing in self-loathing) and their cover of Moonage Daydream.
Nick Kinsey (Diamond Doves, Elvis Perkins in Dearland) has an exciting new project.
Working under the name Thunderclap, he’s reimagining the Child Ballads, a group of 305 English and Scottish folk songs collected by 19th century folklorist Francis James Child. Kinsey is not covering each one individually; instead he is reworking the songs, mixing and matching between tunes to create original and modern interpretations of the source texts.
The song you are about to listen to is based on Banks of Yarrow, but also borrows heavily from a song called Sir Hugh. It features Jean Garnett on lead vocals; Nick Kinsey on drum programming, percussion, synths, keyboards, guitar, vocals; Zach Tenorio-Miller on Celesta and effects; and it is quite lovely.
Banks of Yarrow by THUNDERCLAP
In the department of “electronic music I really enjoy”: AF THE NAYSAYER, of New Orleans, with a sampler for An Agglomeration of Thoughts, his most recent record:
AF THE NAYSAYER – An Agglomeration of Thoughts (Album Sampler) by AFTHENAYSAYER
Just so you can hear one all the way through, here’s Imagerial Denouement:
AF THE NAYSAYER – Imagerial Denouement by AFTHENAYSAYER
Four Future Standards is Jail Weddings‘ follow-up to Love is Lawless(2010) and the prequel to Meltdown (coming soon). It is both a teaser – Meltdown is apparently going to be about, well, meltdowns, and these songs certainly presage that development – and a breather – these tunes are tremendous, but have a different kind of energy than, say, Tough Love. They’re more cabaret than drag race.
This is the one I like the best so far:
The Good Book by Jail Weddings
I’ve been writing about a lot of dreamy electronic music and chill folk rock lately, but now I’m ready to push the pendulum the other way.
Luckily, I have some Empires – scrappy little band of my heart, North American division – to listen to. Garage Hymns is their latest record, out earlier this year, and it is just what I need to clear out the cobwebs.
Some sample tunes, with annotations:
Can’t Steal Your Heart Away: A perfect evocation of a particular kind of party, specifically, the kind that ends with people playing Bad Decision Bingo. And so wryly observed that it fills me with longing for nights that end with fries drenched in cheddar cheese and mornings that start with strong tea.
Can’t Steal Your Heart Away by Empires
Night Is Young: This one will always evoke the lights of Times Square blinking while I study for the bar, for me, but there’s other things in there, too. Like, I live … Continue reading
And now, from the wild woods of Washington State, is Wickerbird (Blake Cowan) with The Crow Mother.
I’ve been listening to it all weekend and it is just lovely. If dreamy, soothing folk music with rich harmonies and an undercurrent of melancholy is your thing, you are going to want to listen to these songs.
The Fold by Wickerbird
The Crow Mother by Wickerbird