Luke De-Sciscio, Gossamer Rose

1. Luke DeSciscio is from Bath, England. Gossamer Rose is his debut LP.

2. His bandcamp lists his genre as “post-boatcore” which at first I thought might be related to yacht music.

3. As it turns out the “boat” in question was a coal barge from Manchester which he was living on for a while, on the Kennet and Avon canal, shuttling between Bath and Bristol.

4. The “-core” part is a reference to hardcore and post-hardcore, which he was listening to while making this record. The genre didn’t stick, but the suffix did.

5. The record grew out of his experiences on the boat. It is effectively the opposite of hardcore: there is no howling, screeching, or thrashing, just sweet guitar melodies and his sharp clear voice.

6. The thing that first hooked me on this record was the cover art. The splash of soft gold light playing against the muted rose-pink of the wall hits a very specific receptor that I can’t really explain other than to say I was distantly surprised there may be a ghost of a photographer in me yet, still in love with light, shadow, and the possibilities on the other side of the door. Also the patterns cast by the glass make me think of light playing over water, so I suppose we’re back to the boat again.

7. Overall the vibe is dreamy and melancholy, which I at least found soothing. You can make up your own mind:

Chill Out Drown Out: My Invisible Friend

Chill Out Drown Out: music for when you need to, well, chill out, and also drown out extraneous noise. Tunes for calming down and concentrating on important tasks or just having a peaceful time in the middle of a hurricane of a day/week/month/year/existence.


My Invisible Friend are based in Parma, Italy. Their self-titled EP is not their first EP, but it is the most recent; if you’re even vaguely interested in shoegaze, you should listen to it. It’s a magnificent mixture of droning fuzz, feedback, and bright clear tonal highlights. It’s a little more uptempo than some of the other bands I’ve filed to Chill Out Drown Out but, well, when the going gets tough, the tough step on the fuzz pedal and crank up the volume.

Chill Out Drown Out: TOUJOURS, In Vivid

Chill Out Drown Out: music for when you need to, well, chill out, and also drown out extraneous noise. Tunes for calming down and concentrating on important tasks or just having a peaceful time in the middle of a hurricane of a day/week/month/year/existence.


Ok kids. Here is your moment of zen for today.

TOUJOURS is the second record from In Vivid (Ben Snook), and it is a gentle soothing bath for your brain. The songs are chill but rich in texture, just enough grit to be perfect for background music, and not so slippery as to be instantly forgettable.

Mumblr, The Never Ending Get Down

Mumblr are from Philadelphia, and whatever else I could say about them, here’s the most important thing: they’re never boring.

Their latest record The Never Ending Get Down has a few less jagged edges than their first (Full of Snakes, 2014) and feels more . . . contemplative, I guess. Like it’s the kind of thing you could put on while staring at the ceiling waiting for the spins to wear off, or setting up for your Very Adult and Also Punk Rock Dinner Party.

Here’s what I like about it: it’s still familiar Mumblr-style punk noise, but it’s layered and nuanced punk noise, periodically punctuated (illustrated?) by contrasting rock riffs.

It’s streaming on their bandcamp and also Soundcloud, and you can listen to it below. Meanwhile, the band themselves are on an extended tour, and if you’re in the upper MidWest, check their dates and see if you can go and experience them live. It will be a face-melting good time, I promise.

Has a Shadow, The Flesh

Has A Shadow are from Guadalajara, Mexico, and they have just been signed to Fuzz Club records. As the name of their new label suggests, there’s an element of fuzz to their sound, but also some droning guitars, and insistent drums. If you like the roar of the big machine, you will like them. You will definitely want to investigate their back catalog.

On the subject of the back catalog, their genre notes are “lo-fi psychedelica” which, okay, fine, maybe, I guess, but y’all – they’re goths. This is straight up Sisters-of-Mercy-in-the-1990s-style gothic rock and it’s excellent. Sky is Hell Black is particularly good.

Meanwhile, hot off the presses, there’s The Flesh:

A Good Read A Good Listen and A Good Drink: Carter McNeil, Ghost King

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Ghost King is one of the bands I was sorry to miss at SXSW, not least because I arrived at the venue not two minutes after they got finished.

SO CLOSE. AND YET SO FAR.

However, in much happier news, their new record – Bones – has been turned loose upon the world, and we can listen to it any time we want.

It’s an oddly-shaped little gem. The best way I can think of to describe it is “occasionally syrupy surf pop with an undercurrent of fuzzy menace.”

Ghost in Love is one of the poppier tunes:

While the two-part title track reflects the, uh, syrupy fuzzy menace:

And with that I will turn the floor over to Carter McNeil (vocals/guitar; center, in stripes, below), who joins us today to talk about a favorite book, record and drink.


GK PRESS COLORS

A GOOD READ
The Hobbit. Elves are pretty cool.

A GOOD LISTEN

12 Bar Bruise By King Gizzard and the Lizard Wizard.

I like to put it on and jump around in my room.

A GOOD DRINK

Red wine. It just feels really good . . .

Three Songs From: Wintersleep

One of the ways I find new music is to go to the Soundcloud pages of labels of bands I like and see who else they have on their roster.

And thus I have stumbled over Wintersleep, who, like The Dirty Nil (scrappy little band of my heart, Frozen North division), are Canadian and signed to Dine Alone Records.

I am extremely late to the party – Wintersleep have been a band since 2001 and have won a Juno award! – but, you know, better late than not at all.

Their next record, The Great Detachment, will be out March 4, and they’re stopping through SXSW later in the month. Here’s a three song sampler, featuring Amerika, Santa Fe and Territory.

All three songs are solid; I’m particularly partial to Amerika because . . . because I feel like it’s been a really long time since I’ve heard song like this, a little bit anthemic, a little bit of sledgehammer running through the bottom. All I can tell you is I think I’ve listened to it five times in a row and I’m still a little bit confused by the lyrics, but I also mostly don’t care. I’m vibrating on their frequency and I like it.

I’m also especially fond of Territory, which is a little bit lighter, tonally, than Amerika, and is mostly a reminder to assert one’s authentic self: You’re not a factory. You’re not supposed to be, you’ve been told, the territory of anyone.

The Longest Day in History, David C Clements

DavidCClementslngday

After a several years of fits and starts and bits and pieces, David C. Clements has at long last released his first official full length record. It’s called The Longest Day In History and it’s mostly new material – I say mostly because some of the previous fits and stars (Oh Child and Hurricane) are included.

The short version: it’s lovely, and if you’re into folk and singer-songwriters you need to jump over to his bandcamp and snag it right now.

The long(er) version is: these songs make me homesick for the pit, for people jammed in to a small space but still clapping and singing and stomp-swaying, caught up in the rush of music and lights, to happy to do anything but dance. And for the same crowd, quiet and hushed during the slower songs, letting familiar chords expand and swell and break their hearts all over again, the way they like best.

Here are the two songs he has up as teasers:

I’m Still Alive, and it’s for the come-down, when you’ve survived the hell and the high water and have got your happy ending: you’re starting over.

This is My Dear Mother which I think I posted before but whatever y’all are getting it again, because I like it:

Other highlights which you are just going to have buy the record to hear: Hurricane, which in this incarnation is seven minutes long and magnificent; Oh Child, which I have posted before and still love, and once almost made me cry on the train on the way to work; and No Shadow, which is about love and survival and holding on to love in order to survive.

He’s from Northern Ireland and as I far as I know, has never played in America, and he’s appearing at SXSW this year. This is your chance, folks. Don’t miss it. Come stand next to me in the front row, I promise it will be a good time.

A Good Read A Good Listen and a Good Drink: Twilight Fauna and Jennifer Christensen

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.


Good morning, NTSIB. We’re doing something a little different with A Good Read today. The two people joining us today – Twilight Fauna, aka Paul Ravenswood, and Jennifer Christensen (solo, Disemballerina) – are not in the same band. Instead they are equal halves of a two-song split.

Both are established black metal artists: Twilight Fauna is a one-person atmospheric metal band from Appalachia, and Jennifer Christensen is a composer and multi-instrumentalist from the Pacific Northwest whose sound is more traditionally classical. For the purposes of this split, they decided to chuck genre limitations and match their works based on emotional content.

The result: Sickness unto Death, by Christensen, and Crossing the Threshold by Twilight Fauna.

Sickness unto Death is a spare, sweet, delicate and melancholy, but also menacing. If the Tell Tale Heart had come with a soundtrack, it would probably have sounded something like this song. Crossing the Threshold, in stark contrast, is the slow death throes of the big machine and makes ample use of grinding fuzz to set the mood.

And with that, I turn the floor over to Jennifer and Paul, who join us today to share a favorite book, record and drink:


Twilight_Fauna_Photo_1Jennifer_Christensen_photo_1

A Good Read

Paul: An Uncomfortable Life by Nicholas Trandahl. An Uncomfortable Life hits home for me on a lot of levels. The exploration of the individual within nature and with fellow humans has been a constant theme in my own life. The searching for one’s place, a sense of belonging, and the struggle to live an authentic life even when that places you in conflict with others makes this a powerful read for me. I’ve had the opportunity to speak at length with Nicholas Trandahl about this book and have found this struggle to be a common theme in both of our lives.

While I’m a fan of Nicholas’ writing in general, I identify with this book especially. You know how at times you’ll find a perfect piece of music or a book at what feels like the moment you need it most? An Uncomfortable Life came into my life shortly after I experienced some major losses. This book spoke to me not only about losing people, but of finding my own place in the world. While that is an ongoing struggle to which I still haven’t found an answer, An Uncomfortable Life helped me to start asking the right questions. For that I will be forever grateful.

Jennifer: I’m currently reading the biography of the modernist abstract artist Lee Krasner by Gail Levin (2011). I just picked this book up from the library today and I’m already engrossed. Reading about this period of time and the artists, musicians and authors that thrived during this era in our collective creative history is something I often find invigorating and significant to the writing or composing that I do. Especially when I’m stuck wondering where a composition is headed, I like to reference artists from the past I’ve found to be energizing—like Krasner!

A Good Listen

Paul: Earthborn by Evergreen Refuge. Earthborn consists of a single 45 minute, all acoustic track. It’s basically the soundtrack to a journey through the forest. Every time I listen it transports me to somewhere else. As you listen, even in the most congested city, you’ll find your mind wandering to wild places. Your eyes will naturally begin to search out the greens of nature or the blue of open skies. In my own life I am drawn to wild places, I spend a lot of time hiking in the isolation of the mountains. On this release, Evergreen Refuge manages to capture the spirit of those places and transforms it into 45 minutes of beautiful sound. Each listen takes me back to places I’ve been or places I’ve yet to travel.

Something else that strikes me about this album is that it’s entirely instrumental. There is great beauty is being able to carve out an experience, to say so much, without needing words. Evergreen Refuge is able to paint pictures, entire forestscapes without bringing vocals into the mix. The only words you’ll find in Earthborn are your own. Those of your own experiences, your own hopes, dreams, and the journeys you’ve yet to take. Digital download/CD here. Highly recommend getting the cassette here.

Jennifer: Them Are Us Too – Remain (2015). While on tour with Disemballerina, I recently stumbled upon this album in California and I have been obsessed with it ever since. The dreamy tracks on Remain are perfect for basically any situation I can imagine; driving, bathing or walking anywhere. I find their creativity, innovation and the sheer beauty of this work to be highly inspiring and influential, as does everyone I’ve recommended this album to ever since.

Them Are Us Too - Eudaemonia (Official Video)

A Good Drink

Paul: I’m a big craft beer guy. When I travel I’m always on the look out for small microbreweries. Especially in the last 10 years or so, it seems every small town has a least one locally owned small brewery usually where you’ll find local people having a good time. So in general, as far as a good drink I would consider that anywhere that you can share a good beer with friends and soak up the local culture. Where I live, that place is Johnson City Brewing Company. I’m a dark beer drinker, my favorite is their Raspberry Mocha Stout which is a rich, slightly sweet beer that is perfect for cold winter days.

Jennifer: Fresh pressed apple cider. I grew up in Red Bank, New Jersey and fresh pressed fresh apple cider is both a local treasure (at nearby Delicious Orchards) but also my favorite thing in the world to drink. This is especially true in the fall but really all the time. I have wonderful memories of pressing the apples myself and tasting the juice with my mother and the taste (along with often the accompanying apple cider cinnamon donut!) brings me back to a very happy and innocent time in my life which remains intact inside it’s crisp flavor. Definitely a somewhat unacceptable substitute but I even brought dehydrated apple cider with me this summer on the month long stretch of the Pacific Crest Trail I did through the Sierra.