The more accurate title of this post would be 2016: The Year I Waited Nine Months to Post My SXSW Pictures, since that is where 99% of these shots are from. The remaining 1% are from New Year’s Eve 2015, taken too late to be included in last year’s round-up.
So, yeah, anyway, here they are, better super late than not at all, I guess?
Here’s the one from NYE:
The Molly Ringwalds, Biloxi, MS, NYE 2015
SXSW was, by turns, glorious and exhausting. There is so much music, and so little time, and so many people. I was pleased to be there – to have been invited to be there, given the honor of a place on a panel, because honestly, otherwise, I would not have gone – but I did not really feel like I was among my people until the third day, when I walked into a grimy punk bar far from the main (festival) drag. At that point I was also so tired and people’d out I was about ready to just lie down on the (disgusting) floor and let the sea of noise wash … Continue reading
One of the ways I find new music is to go to the Soundcloud pages of labels of bands I like and see who else they have on their roster.
And thus I have stumbled over Wintersleep, who, like The Dirty Nil (scrappy little band of my heart, Frozen North division), are Canadian and signed to Dine Alone Records.
I am extremely late to the party – Wintersleep have been a band since 2001 and have won a Juno award! – but, you know, better late than not at all.
Their next record, The Great Detachment, will be out March 4, and they’re stopping through SXSW later in the month. Here’s a three song sampler, featuring Amerika, Santa Fe and Territory.
All three songs are solid; I’m particularly partial to Amerika because . . . because I feel like it’s been a really long time since I’ve heard song like this, a little bit anthemic, a little bit of sledgehammer running through the bottom. All I can tell you is I think I’ve listened to it five times in a row and I’m still a little bit confused by the lyrics, but I also mostly don’t care. … Continue reading