DeVotchka, Beacon Theater, New York, NY, April 4, 2012
Stephin Merritt, The Magnetic Fields, Beacon Theater, New York, NY, April 4, 2012
Claudia Gonson, The Magnetic Fields, Beacon Theater, New York, NY, April 4, 2012
Diamond Doves, Mercury Lounge, New York, NY, April 21, 2012
Elvis Perkins cameo appearance, Mercury Lounge, New York, NY, April 21, 2012
Van Preston, Joe’s Pub, New York, NY, May 17, 2012
Ray Wylie Hubbard, Joe’s Pub, New York, NY, May 17, … Continue reading
It’s been almost approximately a year since I last saw the Diamond Doves (formerly the Dearland in Elvis Perkins and Dearland, now doing their own thing) and in that time they’ve changed: they’ve become tighter and more focused, and their drums are bigger and louder and roll like mighty waves. They were good before, but they’re better now. I’m also pleased to report that they are still making the hipsters dance. Here they are in action:
Next up was Nicole Atkins and the Black Sea. I (once again) had never heard them before and had no idea what to expect. Ladies and gentlemen: this band rocks. Nicole Atkins has an amazing voice – powerful, flexible, commanding, and sultry at the same time – and she and the band bring some serious jams. If you haven’t experienced them yet, you should get on that right away.
NTSIB friend and cohort Joy Wagner kindly offered this sweet little interview/show review to us and the good dudes at Citizen Dick. Check out Diamond Doves’ music at their MySpace (and then entreat them to get off of MySpace).
The odds are good that, if you’re a regular follower of this blog, you’ve already heard of the Diamond Doves. They’ve backed up and opened for several popular acts: A.A. Bondy, The Felice Brothers, Elvis Perkins. In fact, they were Dearland, as in “Elvis Perkins In.”
These days, they’ve struck out on their own, but they’re not trying to ride any coattails. The Doves are doing this all themselves.
“With our band, we’re trying to break every rule we set for ourselves [in the previous band],” says Wyndham Garnett (guitar, trombone, vocals).
Brigham Brough (bass, vocals, saxophone) agrees. “Our past material taught us what we’re capable of and what we wanted to do. But we’re trying less to build off of that platform than to create anew.”
Which isn’t to say that they’re arrogant — just that they’ve learned from experience. Nick Kinsey (drums, clarinet, vocals) maintains “We’ve … Continue reading
The theme for my concert-going this summer seemed to be “voyages” and in particular water voyages, both to the water, or at least a couple of different beaches, and also on the water, specifically, the East River. As the temperature cools and the fall rainy season drifts in, I bring you some postcards from my last couple of trips:
Willie Nelson, Circus Maximus Theater, Ceaser’s Atlantic City: The show was a little bit more subdued than I was expecting, perhaps a concession to the venue, the age of the audience (there were people in the front row celebrating their sixty-fifth wedding anniversary), or a reflection of Willie Nelson also getting up there (77 and still touring!), or some combination of those things. But it was still a great show. It was, in many ways, something of a relief to be able to just sit down and listen to someone sing familiar songs, undistracted by festival crowds or complicated stage business. He did, among others, Good Hearted Woman, All the Girls I’ve Loved Before and City of New Orleans, and I left refreshed, as … Continue reading