Video: Bethany Weimers and Merlin Porter, Winter Heart

I always appreciate a good stop-motion video, and this one, for Winter Heart by Bethany Weimers, is especially delicious. The best part: she and her artist partner Merlin Porter created it with sets they built themselves, in their living room, and a borrowed camera.

The final result is wistful, whimsical, and really quite lovely. I’ve watched it twice and I already feel a little less Grinchy about both snow and Valentine’s Day.

Bethany Weimers – Winter Heart [OFFICIAL VIDEO]


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A Good Read, A Good Listen, and a Good Drink: Bethany Weimers

It’s a simple yet sublime pleasure, and just thinking about it can make you feel a little calmer, a little more content. Imagine: You bring out one of the good rocks glasses (or your favorite mug or a special occasion tea cup) and pour a couple fingers of amber liquid (or something dark and strong or just some whole milk). You drop the needle on the jazz platter (or pull up a blues album on your mp3 player or dig out that mixtape from college). Ensconcing yourself in the coziest seat in the house, you crack the spine on a classic (or find your place in that sci-fi paperback or pull up a biography on your e-book reader). And then, you go away for a while. Ah, bliss.

In this series, some of NTSIB’s friends share beloved albums, books and drinks to recommend or inspire.

Bethany Weimers’ debut record Harpischord Row came out last year, and was (is still!) an exquisite folk-pop gem. The first song, Silver Moon, remains one of my favorites:
 
Harpsichord Row by Bethany Weimers
 
Also really lovely: this acoustic rendition of Desire:
 

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Never Fake Desire: Bethany Weimers, Harpsichord Row


Eagle and Girl painting © Annika Olesen

NTSIBers, please meet Bethany Weimers, of Oxford, England. Harpischord Row is her first record; on it, she balances folk and pop in interesting ways, and weaves complex stories through delicate melodies. Every time one of her songs floats up on shuffle I pause for a moment to greet her characters properly, as they are compelling people.

Here is a video for the title track:
 

 

And one for 30,000 Days, wherein the video picture is somewhat unusual – filmed by Improbable Blue, the YouTube notes indicate it was originally recorded both in silhouette and in darkness, so what you see here is a “salvage job” – but I like it, as an unintended special effect:
 

Bethany Weimers – 30000 Days


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And two more I especially like. First, Silver Moon, which I love because the beat is dreamy and soothing, a slow Loreena McKennitt-style … Continue reading