Free Energy gets their own spotlight this week. Jennifer digs her some punk pop.
And now, as promised: Free Energy, who were so awesome they needed their own post. I came into the show knowing nothing about them and about three songs in I was up on my toes, grinning at them and clapping along with the rest of the crowd. This band is fun, y’all, in all of the ways pop-punk should be.
Musically, they have big hooks and catchy choruses; it’s the kind of thing that makes you want to dance, and also sing along. Also, it was the last night of a long tour, and lead singer Paul Sprangers was still bouncing around the stage and dancing with a tambourine. I tried to get a picture of it, which didn’t work so well. The one below conveys the general spirit, though:
When I checked their MySpace to see if they’d be back to visit New York any time soon, I saw they are starting North American … Continue reading
This week, Jennifer gets excited about some punk fuckin’ rawk.
The best way I can explain The Monitor, the new(ish) record from Titus Andronicus , is to say that it is like two photographs, one from the 21st century and one from the 19th, carefully overlaid so that their elements blend and the eye is left with the challenge of determining what is now, what was then, and what is both, eternally suspended on the thin webbing of successful illusion. Internet, I have listened to this record a lot. I was really, really excited to finally be able to see them live.
Patrick Stickles (l) and Ian Graetzer (r)
Following opening acts Screaming Females (solid punk band; their singer can also really shred) and Free Energy (pop punk so awesome they get their own post next week), Titus Andronicus kicked off the show last Saturday night at Webster Hall with A More Perfect Union, a song which references, among other things, the Newark Bears, the Garden State Parkway, Born to Run as well as both the Battle Cry of … Continue reading