Old Gray Mule: A Day in MS, a Night in TX

This year’s Deep Blues Festival, my first, was full of highlights both music and personal. One of those highlights was seeing Old Gray Mule play, partially because of their musical prowess and service to the groove and partially because watching C.R. Humphrey and C.W. Ayon joke around like a couple of schoolboys on the verge of a giggle fit is so damned enjoyable.

It is great to hear that slightly mischievous, good-time atmosphere brought to OGM’s new release A Day in Mississippi, A Night in Texas. “Alright, this song’s got cussing in it,” Humphrey announces as OGM kicks off a live set, recorded this past July at the 2nd annual Junior Kimbrough Birthday Party in Austin, Texas. After a little more joshing around, OGM ease into their gritty take on “Stagger Lee”, showing not only that service to the groove but also showcasing Ayon’s sharp vocal attitude as he relays the fateful story. Ayon is a good match for Humphrey, who has played with a few different drummers under the Old Gray Mule handle. The swagger of Ayon’s vocals reflect the cool assurance of Humprhey’s guitar playing as Ayon also backs up on drums with a beat calculated for maximum hip sway.

Stagger Lee/My Babe Told Me So by Old Gray Mule

And can we talk about Humprhey’s guitar playing? From fuzzed-out riffs inspired by north Mississippi hill country blues masters like Junior Kimbrough, R.L. Burnside and T-Model Ford to funked up waka-chika (their take on Burnside Exploration’s “Bitch, You Lie” rolling into Parliament’s “Flashlight”, with Julia Magness of the Original Bells of Joy, is an ass-shaking good time) to the soulful picking that characterizes their cover of Junior Kimbrough’s “I Cried Last Night” (with Meredith Kimbrough of Mother Merey and the Black Dirt) that will have you closing your eyes, nodding your head and wishing you could morph into a guitar string to be so sweetly caressed, Humphrey is sharp.

But before the party night in Texas, there is the day in Mississippi where Humphrey and Ayon record with guitarist Bill Abel who has played and recorded with greats like Paul “Wine” Jones, Hubert Sumlin, Sam Carr and more. For me, the highlight of this four-song section is the sleek, slow-grooving “I’m Bad Like Jesse James”.

I’m Bad Like Jesses James by Old Gray Mule with Bill Abel

If you need a little more convincing (But why would you? Did you listen to those songs up there? Fucking great!), head over to Deep Blues where Rick Saunders has another taste from the album for you, a little zydeco number. Then get yourself out to a show and pick this up for yourself when Old Gray Mule hits your town (the opportunity will be coming up shortly if you’re in Australia).

Old Gray Mule Official Website