Postcards from the Pit: Father John Misty / La Sera / Jeffertitti’s Nile, Bowery Ballroom, 10/24/12

My post-show summary of Jeffertitti’s Nile was that they were loud and swirly, but pretty, and on reflection I think that sums them up pretty well. Their songs were almost entirely instrumental, and, were, well, psychadelic kaledeiscopes of notes. And yes, that is Father John Misty you see perched behind their drums; he was sitting in with them for the tour.

 
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The second opener was La Sera. They started out kind of sweet and twee and then somewhere around song two or three abruptly kicked into gear, sprouted some harder edges and jumped several notches on my approval matrix. They also got bonus points for a partial cover / interpolation of an Elvis Presley song, because there really should be more punk/rockabilly Elvis covers.

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And then Father John Misty (J. Tillman) re-appeared, having apparently briefly decamped to Tom Petty Fest and found it wanting. Here’s what I’m going to tell you about his set: what you hear on the record is what you hear live.

He did some jazz-hands and a lot of shimmy-shake and hit all of those notes in achingly beautiful style, with occasional breaks for snarking on the Tom Petty Fest and other miscellaneous rambling. It was obnoxious and beautiful and hilarious and I can’t wait to do it again at Webster Hall when he comes back in January.

Other notes: Jeffertitti Moon returned the sitting-in favor and played guitar during Tillman’s set.
 

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