{"id":2858,"date":"2014-05-28T11:55:42","date_gmt":"2014-05-28T15:55:42","guid":{"rendered":"http:\/\/www.nowthissound.com\/ntsib\/?p=2858"},"modified":"2014-05-27T23:58:00","modified_gmt":"2014-05-28T03:58:00","slug":"white-sea-cold-blood","status":"publish","type":"post","link":"http:\/\/www.nowthissound.com\/ntsib\/2014\/05\/28\/white-sea-cold-blood\/","title":{"rendered":"White Sea, In Cold Blood"},"content":{"rendered":"

\"whitesea1\"<\/a><\/p>\n

White Sea<\/a> is the solo project of Morgan Kibby (M83). In Cold Blood<\/i> is her most recent release. It’s lush, in the sense that it is expansive and textured and the kind of thing you can easily sink into. It is operatic, in the sense that it grabs the heart, it stirs things buried deep, and then it soars. The first time I listened to it was also the third, fourth and fifth times I listened to it because I kept scrolling back and plunging back in.<\/p>\n

It’s also solid; there isn’t a single song I’d brush off as filler. I’m especially fond of They Don’t Know<\/i> (the hook; if you aren’t snagged, move on); Warsaw<\/i> (about being someone who should come with a warning label and knows it); Small December<\/i> (because goodbye doesn’t mean you don’t love them anymore, and you can tear things down, but the outline will always remain); and NYC Loves You<\/i> (because it’s true, the city will always take you back).<\/p>\n